HOME LAND
by Sam Lipsyte
Picador
January 2005, 229 pages, $13.00
by Patricia Storms

:. e-mail this article
:. print this article
:. comment on this article

High School, Not So Confidential

It's confession time, readers.

A few years back I signed up with Classmates.com, that online haven for reunion-addicts. Not out of any desire to (shudder) reconnect with old high school alumni. No, I was motivated solely by sheer morbid curiosity. Who was doing what? Who was rich? Who was divorced? Who was still a loser? Fat chance the last question ever being answered, since according to the online forum, everyone is just so gosh-darn happy and gushing with peachy-keen memories of those halcyon days of overactive hormones. Ne'er a nasty thought to be found. In fact, I'm willing to bet that if someone did write a negative diatribe on that forum, it would be taken down PDQ. So where does one go to find the truth behind the empty smiles of the pretty hair and teeth crowd? If you really want to satisfy your urge for honest high school confessions of the acerbic variety, you'll just have to read Sam Lipsyte's painfully funny novel Home Land.

Behold Lewis Miner, a.k.a. Teabag (a moniker created from an unfortunate experience in the school showers with Eastern Valley High's football team), self-professed loser, who since graduating Eastern Valley High School in 1989, has spent his life to date in a dope-induced masturbatory under-employed haze. But Miner's not ashamed of his appalling state: "my misadventures have taught me to covet the little things, to cherish, in short, the short straw."

In fact, Miner is all too willing to share his love for the short straw with the entire alumni of Eastern Valley High. Pressured by his former principal to contribute an update to the alumni newsletter, Miner rises to the challenge, and lays bare the truth behind the obvious fact that he "did not pan out." Of course his updates never see the light of day; Principal Fontana wants only reports of sunshine and glee. Fortunately for us, Miner continues to churn out these self-indulgent missives in spite of being censored, and so we learn the sordid details of his less than stellar life: his girlfriend has dumped him; he earns a meagre living writing fake facts for a soft drink company's newsletter; his mom has recently died from cancer; and he spends an inordinate amount of time either masturbating in front of his computer screen or getting stoned with his only high school pal Gary, whom it could be argued, is leading Miner in the race to Loserville.

In the hands of another writer, this narcissistic rant could have become pretty tedious, pretty darn fast. Other than a bizarre high school reunion denouement (called a 'Togethering') near the end of the novel, not much of import really happens outside of Miner's twisted inner dialogue. Fortunately, Lipsyte is a gifted master of words, and he creates a perfect balance of humor and pathos in the ramblings of this sharp-tongued loser. But why is this self-indulgent, caustic, often profane rant from this flop who refuses to "buckle under expectation's yoke" so appealing?

Home Land resonates so strongly because in a perfection-seeking world where all your problems can (and apparently should) be solved, where everything from your personal life to your appearance to your job to your home can be subjected to an 'Extreme Makeover' by an army of lifestyle gurus, Miner is a refreshing breath of bleak, existential air. He is the anti-Oprah. You can't feel sorry for him, or revel in his misery, for as he himself states: "I'm quite happy in my unhappy way." What do you call schadenfreude turned in on itself?

But the loser angle gets even better. Apparently Lipsyte's agent had no success in selling the book in the US, so he ended up selling it in the UK where it got rave reviews. Once back in the States in paperback, Home Land became the love child of the lit blogosphere, which started people asking why in heaven's name didn't the US publishers snatch up this beauty in the first place.

It has been suggested that Lipsyte's failure to initially woo U.S. editors had a lot to do with his apparent lack of writer cachet: he's a fat, balding, middle-aged mid-list author, with one novel and a book of short stories already under his buckling belt. Zero cool factor for an industry desperately in search for the next Jonathan Safran Foer or Nell Freudenberger. Or so they thought. Home Land has become the unexpected valedictorian who will belch and scratch his balls during his profanity-laden speech. The loser, writing about a loser, wins. How life affirming is that? It's enough to renew one's faith in failure.

— 9 May 2005

TODAY ON POPMATTERS
Film | recent | archive
:. Disfigured

RECENT BOOKS
MORE BOOKS
:. recent articles :. full archive
:. Altman on Altman by David Thompson
:. American Taxation, American Slavery by Robin Einhorn
:. The Anti-Oedipus Papers by Felix Guattari
:. Apex Hides the Hurt by Colson Whitehead
:. The Beatles by Bob Spitz
:. BOFFO!: How I Learned to Love the Blockbuster and Fear the Bomb by Peter Bart
:. Book of Longing by Leonard Cohen
:. The Book of Trouble by Ann Marlowe
:. Come Hell or High Water: Hurricane Katrina and the Color of Disaster by Michael Eric Dyson
:. Conspiracy of Fools by Kurt Eichenwald
:. The Economics of Attention: Style and Substance in the Age of Information by Richard Lanham
:. Empire of Dirt: The Aesthetics and Rituals of British Indie Music by Wendy Fonarow
:. Everyman by Philip Roth
:. Extremely Loud and Incredibly Close: A Novel by Jonathan Safran Foer
:. Family and Other Accidents by Shari Goldhagen
:. The Gang That Wouldn't Write Straight: Wolfe, Thompson, Didion, and the New Journalism by Marc Weingarten
:. Going Postal: Rage, Murder, and Rebellion by Mark Ames
:. The Good Life by Jay McInerney
:. The Great Deluge: Hurricane Katrina, New Orleans, and the Mississippi Gulf Coast by Douglas Brinkley
:. Hong Kong Connections by Meaghan Morris, Siu Leung Li, Stephen Chan Ching-kiu
:. The Husband by Dean Koontz
:. I Hate Myself And Want To Die: The 52 Most Depressing Songs You've Ever Heard by Tom Reynolds
:. In the Miso Soup by Ryu Murakami
:. JPod by Douglas Coupland
:. Kamikaze Diaries by Emiko Ohnuki-Tierney
:. King Dork by Frank Portman
:. Lost Sounds: Blacks and the Birth of the Recording Industry, 1890-1919 by Tim Brooks
:. Making Easy Listening: Material Culture and Postwar American Recording by Tim J. Anderson
:. March by Geraldine Brooks
:. 1973 Nervous Breakdown: Watergate, Warhol and the Birth of Post-Sixties America by Andreas Killen
:. Once in a Lifetime: The Incredible Story of the New York Cosmos by Gavin Newsham
:. The One Percent Doctrine by Ron Suskind
:. The People's Republic of Desire by Annie Wang
:. Play Between Worlds: Exploring Online Game Culture by T.L. Taylor
:. Roots Too: White Ethnic Revival in Post-Civil Rights America by Matthew Frye Jacobson
:. Seaworthy by T.R. Pearson
:. Shalimar the Clown by Salman Rushdie
:. The Sociopath Next Door by Martha Stout, PhD
:. Sprawl: A Compact History by Robert Bruegmann
:. Tamerlane: Sword of Islam, Conqueror of the World by Justin Marozzi
:. White Money/Black Power by Noliwe M. Rooks
:. Yann Andrea Steiner by Marguerite Duras
:. You're Not You by Michelle Wildgen

 
advertising | about | contributors | submissions
© 1999-2008 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks of PopMatters Media, Inc. and PopMatters Magazine.