GODZILLA AT 50
:. e-mail this article
:. print this article
:. comment on this article
Godzilla has changed. At 50, he is no longer the hulking, pea-brained brute we thought. Our writers contemplate his transition from bringer of Armageddon to bringer of agathon, a fierce and ironic comfort to children who sense that theirs is a dangerous world.
 

:: INTRODUCTION
By Karen Zarker, Godzilla Special Section Editor
"In heaven," wrote Nietzsche, "all the interesting people are missing." Since his mammoth form lumbered from the depths 50 years ago, Godzilla, so intrinsically earthbound, still holds our interest. Given the chance, who wouldn't invite him to the dinner table, as a hosting nation might invite an ageing, exiled, and fascinating tyrant. With armed guard standing by, of course. In this PopMatters Special Feature section 12 writers, armed only with savoir-faire and satirical wit, take on the beast in 14 essays.

Like the monster that roams our world at will, this topic is broad in scope. So we begin with a cluster of essays that, for the most part, tackle Godzilla in his grey-skinned mode; his thick hide the steely color of matter, burned and compacted, much like the 150,000 bodies, and the buildings that housed them, in Nagasaki. This is Godzilla as thanatos, in all the terror — apocalyptic and banal — that he embodies.

But as we all know, Godzilla has been through some changes over the years. "Godzilla was once, as conventional wisdom would have it, a stand-in for the unspeakable violence of the atom bomb and by extension humanity's perennial, inscrutable drive toward self-destruction," says PopMatters writer, Mike Ward, "But the history of Godzilla is also one of a gradual cultural transformation, whereby this self-destructive drive persists, but awareness of it is gradually lost — replaced by collective hubris . . ."

Our writers contemplate his transition from bringer of Armageddon to bringer of agathon, a fierce and ironic comfort to children who sense that theirs is a dangerous world. Godzilla understands. After all, he has offspring to protect, too, although what Godzilla mated with to produce his son, Minya, is one of the few mysteries left to us, as technology relentlessly pries secrets from nature's clutch.

And we end up with Godzilla gone green, as green as the revenue he generates from video games, collectibles and . . . plush toys. Perhaps this is eros that makes us covet his image in cuddly form, and finds delight in this kind of play. Such is the irony of the human condition.

Yes, Godzilla as changed. At 50, he is no longer the hulking, pea-brained brute we thought. No longer reduced to stowaway in the bomb bay of the Enola Gay, he rides first class on international flights, carries a dozen passports, and he's wired to cyber space. May as well have fun with him, as we do here, because in just a flash . . . well, what then?

  Godzilla vs. Godzilla
by Mike Ward

We have become dazzled with the illusion and the high-tech gadgetry that makes the monster move. As we gaze at Godzilla, this splendid embodiment of our modern might, we forget who he really is — and we forget what we are proven capable of becoming, ourselves. This essay is presented in four parts. [Read Essay]

  Lizards and Mushroom Clouds: A Personal Account
by Thomas Molesky

A survivor of the atomic bombing of Hiroshima tells us that after the bomb exploded, the damage could not be surveyed because people were blinded; calls for help could not be responded to as ears had gone deaf. [Read Essay]

  Of Mutations and Messages
by Brian Ruh

The meaning behind the monster is often less "sexy" than the star himself — and more insidious in nature than the spectacle of demolished buildings. Indeed, would the now world-renowned Godzilla have been as appealing if he had been a deranged feline? [Read Essay]

  Run! I Hear Godzilla Coming!
by Michael Nenonen

To fend off the American, Godzilla-like threat, nations and private groups around the world scramble to acquire nuclear, chemical, and biological weapons of mass destruction. [Read Essay]

  Imperial Monsters: A Political Analysis of Godzilla, Mothra, and King Ghidorah: Daikaiju Sogougeki
by Michael Nenonen

Whereas the original Gojira warned against militarism, this movie, Godzilla, Mothra, and King Ghidorah: Daikaiju Sogougeki, goes out of its way to celebrate it. [Read Essay]

  Sandy Frank: Behind the Monster
by Bill Gibron

An aging, embittered Godzilla begrudgingly grants a rare interview. His rival, Gamera (and other monsters who have peopled his past), tell all. [Read Essay]

  A Giant Lizard's Home Companion
by Bill Gibron

Mystery Science Theater 3000 is in full farcical bloom to drown the entire Godzilla mythos in necessary lizard libel. [Read Essay]

  The Importance of Being Godzilla
by Steven Luc

Godzilla is a mutable symbol, changing to suit the needs of the moment. He has become all things to all people. [Read Essay]

  Hey Godzilla, Why Are You Such a Giant Cultural Symbol?
by Mark Pyzyk

Distilling the actions of Godzilla to their most basic, one finds only an overgrown playground bully. What drives our love for this thuggish brute that annihilates our cities? [Read Essay]

  The Curse of Godzooky, or If I Should Fall From Grace With Godzilla
by Will Harris

At a low point in his career, Godzilla debases himself. Meanwhile, Godzooky and other distant, so-called "relations" ride Godzilla's tattered lizard-tail, so to speak, to their own kind of fame. [Read Essay]

  Godzilla, Friend to the Children of the World
by James Baker

It was much easier to sleep at night knowing that Godzilla was out there patrolling the Pacific, dealing out serious beatings to any monster that dared disturb the world order. [Read Essay]

  A Kinder, Gentler Godzilla
by Tobias Peterson

Certainly, for me, Godzilla was a buddy . . . not unlike a favorite teddy bear. [Read Essay]

  godZ and Me
by Valerie MacEwan

Me and godZ — fraternal twins of different mothers — we have tried to curtail the anger within and, despite all odds against us, we feel we have made a positive impact. [Read Essay]

  Sister Mary Mothra: A Speculative Biography of Nunzilla, Bride of Godzilla
by N.A. Hayes

The mighty beast moves in mysterious ways. Hayes finds the spirit of Godzilla in the body of a raging plastic nun. [Read Essay]

 

TODAY ON POPMATTERS
Columns | recent
Pop Past: Godzilla: The Biggest Blockbuster
Rabble Without a Cause: Vote for the Prettiest
Events | recent | archive
:. Beach House — 3.April.08: Philadelphia, PA

RECENT MUSIC
In bold are PopMatters Picks, the best in new music.
CD REVIEWS
Abe Duque
be your own PET
Big Sandy & His Fly-Rite Boys
The Bottle Rockets
The Brand New Heavies
Camille
Johnny Cash
Slaid Cleaves
Elvis Costello & Allen Toussaint
Cut Chemist
Dabrye
Miles Davis
Daedelus
Dinosaur Jr.
Dr. Octagon
Alejandro Escovedo
Fatboy Slim
Four Tet
The Handsome Family
Matthew Herbert
India.Arie
Ise Lyfe
Jefferson Airplane
Kaada
Keane
Lord Jamar
Mission of Burma
Mr. Lif
Mojave 3
Allison Moorer
Paul Oakenfold
Oneida
Grant-Lee Phillips
Priestess
The Procussions
Corinne Bailey Rae
Ramblin' Jack Elliott
Rhymefest
Julie Roberts
Diana Ross
7L & Esoteric
Alice Smith
Snow Patrol
Sonic Youth
Soul Asylum
Sound Team
Regina Spektor
Sufjan Stevens
Matthew Sweet
Vetiver
Rhonda Vincent
Wa-Zimba
Thom Yorke

EVENT REVIEWS
Baby Dayliner
The BellRays
Brookville
Cat Power
The Clientele + Great Lakes
The Coup + T-Kash
Mike Doughty Band
Download Festival 2006
Fiery Furnaces + Man Man
The Futureheads
The Handsome Family
High Sierra Music Festival
Billy Idol
Joi
Bettye Lavette
Love Parade
Nine Inch Nails + Bauhaus
Pretenders
Sonic Youth
Splendour in the Grass 2006
The Streets
Sunset Rubdown

 
advertising | about | contributors | submissions
© 1999-2008 PopMatters.com. All rights reserved.
PopMatters.com™ and PopMatters™ are trademarks of PopMatters Media, Inc. and PopMatters Magazine.