Marilyn Manson
Song: "Tainted Love"
Director: Philip Atwell
Album: Not Another Teen Movie
(Maverick, 2001)
by Nikki Tranter
PopMatters Film, TV and Music Critic
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Fitting In
Imagine my horror when, after seeing "shock-rocker" Marilyn
Manson on TRL, I realised I had far too much in common
with him. No, I'm not a maniacal, demonic, sexual demi-god
spouting my offbeat views on life, death,
God, drugs, and society to anyone who'll listen, or even a
modern day antichrist. But, I am a former high school
Goth, one of those kids who wore lots of black eye paint and a
shaved head, and walked around with a "talk to me and suffer my
wrath"-type vibe. And, while I usually don't listen to his
music, I find Manson's cover of Soft Cell's 1981 hit "Tainted
Love" (itself a cover of Gloria Jones's song from the '60s)
irresistible.
Manson recorded the song for the soundtrack to Not Another
Teen Movie, a film attempting to parody the stereotypes of
teen cliques as portrayed in movies spanning three decades, from
Grease to Sixteen Candles to American Pie.
But Not Another Teen Movie's attempts fall short. While
it features a few decent tricks (the appearance of Molly
Ringwald, the Breakfast Club scene, Eric Jungmann doing a
dead-on Ducky Dale), mostly it is a vile and nonsensical
stink-pile of rip-offs (I'm looking at you, Randy Quaid).
Many of these rip-offs come directly from films written by John
Hughes in the mid-'80s, focusing on high school cliques (the
cool kids ostracizing the uncool kids), and their effects on
students. The high school cliques problem wasn't new when Hughes
did it, and it isn't now. These days, however, disenfranchised
students seem more inclined to take each other out
Commando-style, rather than simply don dark clothes, grow their
hair long, and join a band. Marilyn Manson knows what I mean,
but instead of critiquing the systemic problem, in the video for
"Tainted Love," he and director Atwell mount their own little
high school parody, which does much the same thing that Not
Another Teen Movie does: mock the jocks.
The opening of the video sees Manson (decked out in rap star
garb) and his truculent gang crash a kegger, and make the party
their own. An Ozzy Osbourne look-alike takes over the
turntables, the Goths start break-dancing, and red vinyl-clad
strippers begin to perform. Wearing stereotypical high school
attire (letter jackets and the latest fashions), the "beautiful
people" eye their new dark friends with disdain. The video
extends the visual gags of Not Another Teen Movie,
employing high school caricatures -- jocks, geeks, wallflowers,
and perfect bodies -- all played by the film's actors.
As the Goths parade about in makeup and big boots, they appear
so outrageously different that they plainly deserve our respect.
Not equal respect, more respect. They're getting up to
all manner of cool shit, while the high school kids are all the
same. For many people (at least those with whom I once caused a
ruckus every Saturday night at Denny's), the Goth lifestyle is a
matter of secondary deviance, only exaggerating the
marginalisation forced on them by high school's cruel,
clique-ish monotony.
This happens to our resident wallflower, played by Chyler Leigh
(the film's star). An obvious nerd at the beginning of the
video, complete with glasses, a ponytail, and overalls, Leigh's
character is so overcome with a desire to fit in (or is it
Manson's magnetism?) that she heads to the bathroom for a Goth
makeover. Meanwhile, the walking cartoon of a bitchy cheerleader
(the brilliantly cartoonish Jaime Pressly) is visibly sickened
by the Manson gang. Her male counterparts, the jocks, are
similarly unoriginal -- all they seem to want to do is high-five
each other.
Ironically, these stereotypes are now even more derided than
Goths, who have gained in popularity over the last decade or so,
with thanks, somewhat, to Manson. As a result, he is finding it
a lot harder to upset people these days. This might be why he's
inserting himself into a teen party, in order to look out of
place (he is a bit old for high school, but then again, so are
the film's actors). Or maybe it's why, in the video's closing
scenes, he sits in a pink bedroom with pink walls, atop a pink
bed, complete with bunny rabbit pillows. But Manson can't stop
with this bizarre too-sweetness: the bunnies turn into
half-naked women, seductively bouncing about on the bed. Because
Manson's look and attitude are less disparaged than they used to
be, it seems that the pretty people are a lot easier to deride.
But even if this shift has occurred, the problem of high school
cliques is the same, and the groups remain segregated. With
"Tainted Love," Manson highlights one version of the clique
drama, but doesn't challenge its basic segregational structures.
The video restates the obvious: social inequalities at high
school still exist.