Michelangelo Antonioni

‘Blow-Up’ and the Melancholy of Discovery

Featured: Top of Home Page/Film/Film Feature

‘Blow-Up’ and the Melancholy of Discovery

By

Chadwick Jenkins / 12 July 2017

Michelangelo Antonioni’s Blow-Up taunts its viewers with a significance that never manifests, a Truth that always recedes.

‘Love in the City’ Dives Into Unexplored Cinematic Territory

Featured: Top of Home Page/Film

‘Love in the City’ Dives Into Unexplored Cinematic Territory

By

Michael Barrett / 1 October 2014

This anthology of Italian films explores the taboos of love: prostitution, suicide, and girl-watching.

Featured: Top of Home Page/Film/Film Feature

ReFramed No. 19: Michelangelo Antonioni’s ‘Zabriskie Point’ (1970)

By

Calum Marsh, Jordan Cronk / 9 February 2012

Featured: Top of Home Page/Features/Film

Digital Ghost: Director Apichatpong Weerasethakul Recalls Uncle Boonmee

By

Matt Mazur / 3 March 2011

Books/Featured: Top of Home Page/Reviews

Making Waves: New Cinemas of the 1960s by Geoffrey Nowell-Smith

By

Michael Buening / 3 January 2008

Featured: Top of Home Page/Film/PopMatters Picks/Reviews

The Passenger (1975/2005)

By

Mike Ward / 23 November 2005

Featured: Top of Home Page/Film/PopMatters Picks/Reviews

Eros (2004)

By

PopMatters Staff / 28 May 2005