Undeclared
Regular airtime: Tuesdays, 8:30 p.m. EST (Fox)
Cast: Jay Baruchel, Louden Wainwright III, Monica Keena, Seth Rogen, Carla Gallo
by Susan Brown
PopMatters Film and TV Critic
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Freaks and Geeks Lite
Looking back on my freshman year at the University of
Virginia, I remember surprisingly little. Most of my
time was spent pining for my high school boyfriend
Stan, who was busy pledging Theta Mu Whatever at a
college in a different time zone. But for all my
romantic preoccupation, I can recall a number of the
benchmarks of my education. The poster on the bathroom
door, which documented every time someone from our
hall prayed to the porcelain god. My 16-year-old
overachieving and aspiring dentist roommate, spraying
her bangs into place. The relief I felt boarding the
bus for home on breaks and holidays. In short, while
common cultural myths would have us believe these are
"the best years of our lives," it was clear to me that
they were the best years of someone else's
life.
Fortunately, Judd Apatow, the creator of Fox's new
sitcom Undeclared, remembers that college is
riddled with such minutiae, and is full of non-moments
that seem crucial to one's success in life. It blasts
the common myths of higher education as mere youthful
liberation and intellectual rigor, and instead focuses
on the absurdity of the college experience: the depth
of pop music lyrics; the moral imperative of killing
an entire keg, no matter how sick it made you later,
these are the imperatives of Undeclared's
collegians. Like Apatow's dearly departed Freaks
and Geeks (one of the smartest and least
pretentious depictions of high school angst on recent
prime time televsions), Undeclared captures the
exquisite awfulness of college with memorable
characters, authentic details, and snappy dialogue.
Consider the pilot episode, where freshmen Steven (Jay
Baruchel) and Lizzie (Carla Gallo) hide out from their
first dorm party. Disillusioned, they assess the
primary advantages of college life -- staying up to
11, eating candy all day, and the freedom to pierce
anything. Depressed by such meager benefits, they
do what any frightened freshmen away from home for the
first time would do: they put the do not disturb
scrunchie on the door handle and have spontaneous sex.
It's a rather amusing scene, and nicely encapsulates
what could be the show's real contribution to
representing college-aged youth -- that it examines
some of the anxieties of college life in all its
uncomfortable detail. Of course, the scene also
demonstrates the show's possible shortcomings, that it
merely replicates some of the same old youth
stereotypes, as, for instance, college as a time for
sexual experimentation and liberation.
These seeming contradictions are just a few of the
reasons to love Undeclared, a show with a
wealth of characters who manage to seem real
individuals and category types at the same time. Many
fans will want to know if Undeclared is as good
as its beloved predecessor. Even if Freaks and
Geeks was too insightful for its target audience
of teens and tweens, it was at least a glorious
failure.
This time out, however, Apatow aims a bit higher, or
at least for an older demographic, and which might
contribute to the show's success. While the younger
viewers of Freaks and Geeks might not have been
ready to view their own lives with the sense of
bittersweet irony promoted by the show, hopefully
older students and adults alike will embrace
Undeclared, which is both funny enough for
those currently mired in dorm life and smart enough
for those with a sense of objective distance on their
college days. Undeclared has already achieved
the impossible in the first episode: it made me
nostalgic for a time in my life that I truly loathed.