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PopMatters turns 27 this week! Please SUBSCRIBE so we have 27 more.

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Music Culture Featured: Top of Home Page Features Music Features

Gen X and the Changing Meaning of the Velvet Underground’s “Stephanie Says”

By

Stephanie Wilson Gonzalez / 21 October 2026

Heard amid aging, caregiving, and family violence, the Velvet Underground’s “Stephanie Says” captures how solitude confines Gen X women.

FEATURES

It’s a Wonderful Life’s Bell Is Still Ringing

It’s a Wonderful Life’s Bell Is Still Ringing

By

Jo Ann Zimmerman / 21 October 2026

Dawn Moraga of Cor de Lux Faces the Future with a Beautiful Blind Smile

Dawn Moraga of Cor de Lux Faces the Future with a Beautiful Blind Smile

By

Brian Stout / 21 October 2026

Inside H. R. Giger’s Alien: The Biomechanical Horror That Changed Film, Art and Design

Inside H. R. Giger’s Alien: The Biomechanical Horror That Changed Film, Art and Design

By

Lexx Che / 20 October 2026

Iggy Pop’s Noise Became My Chemical Romance’s Language in Detroit

Iggy Pop’s Noise Became My Chemical Romance’s Language in Detroit

By

Taylor Blackmere / 20 October 2026

Proust’s ‘In Search of Lost Time’ Is the Epic of Social Climbing

Proust’s ‘In Search of Lost Time’ Is the Epic of Social Climbing

By

Efe Teksoy / 20 October 2026

Sylvie Vartan’s ‘La Reine de Saba’ Is a Gift to Fans Old and New

Sylvie Vartan’s ‘La Reine de Saba’ Is a Gift to Fans Old and New

By

Kurt Wildermuth / 19 October 2026

An Old ‘Kingdom Hearts’ Save File Stirs More Than Nostalgia

Feature Sub Head

An Old ‘Kingdom Hearts’ Save File Stirs More Than Nostalgia

By

Christopher M. Ahmad / 19 October 2026

Pop Past

The best of our archive [subscriber exclusive]

Religion and Biological Limits in Post-Humanity: ‘Her’ and ‘Transcendence’

Featured: Top of Home Page

Religion and Biological Limits in Post-Humanity: ‘Her’ and ‘Transcendence’

By

Seth M. Walker / 18 June 2014

Cult Films Fans: Between the Omnivore and the Hermit

Featured: Top of Home Page

Cult Films Fans: Between the Omnivore and the Hermit

By

Andrew Grossman / 21 July 2013

Music Reviews

Music Music Reviews PopMatters Picks Reviews

Clara Mann Delivers Exquisite Folk on ‘Wishbone’

By

Jack Walters / 21 October 2026

Music Music Reviews PopMatters Picks Reviews

Seffarine’s ‘Abaraz’ Is Roots Music at Its Richest

By

Adriane Pontecorvo / 21 October 2026

Music Music Reviews PopMatters Picks Reviews

Ziemba’s ‘The Braid’ Is a Sophisti-Pop Masterpiece

By

Chris Ingalls / 21 October 2026

Bacht’n de Vulle Moane’s Verdwazing der dwazen

Troye Sivan Craves Stability on ‘She’s the Best’

Matthew O’Neill Lets the Outside World ‘Through to Us’

Visions of Nar Deliver a Mesmerizing Ethno-Jazz Journey

Blodtår Strike a Fine Balance Between Urgency and Melancholy

HAAi Gets Down and Dirty on the Dancefloor with ‘DIGITiSE’

Geese ‘Get Killed’ at the Hollywood Forever Cemetery

Richard Thompson Sings About ‘Hippies, Thugs and Heroes’

Jenny JAM’s Debut Was Six Years in the Making

Jack White Takes San Francisco with a Dynamic Double Feature

Film

It’s a Wonderful Life’s Bell Is Still Ringing

It’s a Wonderful Life’s Bell Is Still Ringing

By

Jo Ann Zimmerman / 21 October 2026

Prejudice Is Masked as Protection in Cristian Mungiu’s ‘Fjord’

Prejudice Is Masked as Protection in Cristian Mungiu’s ‘Fjord’

By

Chris Barsanti / 21 October 2026

Inside H. R. Giger’s Alien: The Biomechanical Horror That Changed Film, Art and Design

Inside H. R. Giger’s Alien: The Biomechanical Horror That Changed Film, Art and Design

By

Lexx Che / 20 October 2026

The Unbearable Heaviness of Buildings: ‘The History of Concrete’

The Unbearable Heaviness of Buildings: ‘The History of Concrete’

By

Richard Stimac / 15 October 2026

Thin Screens of Violence: ‘American Doctor’ and the Authority of Images

Thin Screens of Violence: ‘American Doctor’ and the Authority of Images

By

Richard Stimac / 14 October 2026

Aaron Sorkin and the Politics of Being Right

Aaron Sorkin and the Politics of Being Right

By

R.A. Davis / 13 October 2026

Venice Film Festival Comes with a Hammer to Crack Open Political Discourse

Venice Film Festival Comes with a Hammer to Crack Open Political Discourse

By

Ana Yorke / 12 October 2026

‘Tuner’ Recalibrates the Disability Narrative

‘Tuner’ Recalibrates the Disability Narrative

By

Shanna Seesz / 12 October 2026

Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies

Howard Hughes Makes [Lewis] Milestones in Hollywood Silent Movies

By

Michael Barrett / 7 October 2026

Books

Books Feature Sub Head Features Film Film Feature

It’s a Wonderful Life’s Bell Is Still Ringing

By

Jo Ann Zimmerman / 21 October 2026

Books Culture Feature Sub Head Featured: Top of Home Page Features

Proust’s ‘In Search of Lost Time’ Is the Epic of Social Climbing

By

Efe Teksoy / 20 October 2026

Calum Marsh Looks Behind the Scenes of Reality TV

By

Maria Lockard / 7 October 2026

Conversations with Drew Lerman About ‘Conversations with Don DeLillo’

Not Every “Monstrous Bitch” Is a Feminist Victim

Albert Camus’ Anti-Ideology Message for Our Times

Get Rid of All the Pesky Humans: An AI Fantasy

Music Features

Music Culture Featured: Top of Home Page Features Music Features

Gen X and the Changing Meaning of the Velvet Underground’s “Stephanie Says”

By

Stephanie Wilson Gonzalez / 21 October 2026

Music Feature Sub Head Features Interviews Music Features

Dawn Moraga of Cor de Lux Faces the Future with a Beautiful Blind Smile

By

Brian Stout / 21 October 2026

Music Events Feature Sub Head Featured: Top of Home Page Features Music Features

Iggy Pop’s Noise Became My Chemical Romance’s Language in Detroit

By

Taylor Blackmere / 20 October 2026

Sylvie Vartan’s ‘La Reine de Saba’ Is a Gift to Fans Old and New

Geese ‘Get Killed’ at the Hollywood Forever Cemetery

Jazz Saxophonist David S. Ware Never Played It Twice

Gilbert O’Sullivan Is ‘On the Record’ and Being Irish

Television

Can Comedy Be an Antidote to Authoritarianism’s Poison?

Can Comedy Be an Antidote to Authoritarianism’s Poison?

By

Iain Ellis / 15 October 2026

Why Can’t I Stop Watching ‘Love Island’?

Why Can’t I Stop Watching ‘Love Island’?

By

Racheal Fest / 1 October 2026

Lists

ElectroMatters: Best Electronic Music of September 2026

ElectroMatters: Best Electronic Music of September 2026

By

J. Simpson / 6 October 2026

MetalMatters: The Best Metal Albums of September 2026

MetalMatters: The Best Metal Albums of September 2026

By

Spyros Stasis / 28 September 2026

The 10 Best Pop Music Books of the 2000s So Far

The 10 Best Pop Music Books of the 2000s So Far

By

Josh Friedberg / 21 September 2026

Dolly Parton’s Greatest Movie Role

Dolly Parton’s Greatest Movie Role

By

Guilherme Quireza / 1 September 2026

Interviews

Music Feature Sub Head Features Interviews Music Features

Dawn Moraga of Cor de Lux Faces the Future with a Beautiful Blind Smile

By

Brian Stout / 21 October 2026

Music Feature Sub Head Featured: Top of Home Page Features Interviews Music Features

Jazz Saxophonist David S. Ware Never Played It Twice

By

Tony Aramini / 15 October 2026

Music Feature Sub Head Featured: Top of Home Page Features Interviews Music Features

Gilbert O’Sullivan Is ‘On the Record’ and Being Irish

By

Eoghan Lyng / 14 October 2026

ME. Invite Us to Do the Hard Thing on ‘All Good Things’

Nine Albums In, Russian Circles Are “Opening the Marriage”

Conversations with Drew Lerman About ‘Conversations with Don DeLillo’

Keb’ Mo’: The Breakdown and the Long Way Home

Publish with PM

PopMatters Seeks Book Critics and Essayists

PopMatters Seeks Book Critics and Essayists

By

Karen Zarker / 24 January 2024

Submit an Essay, Review, Interview, or List to PopMatters

Submit an Essay, Review, Interview, or List to PopMatters

By

PopMatters Staff / 26 July 2023

PopMatters Seeks Music Writers

PopMatters Seeks Music Writers

By

PopMatters Staff / 28 September 2022

PopMatters Seeks Film Critics and Essayists

PopMatters Seeks Film Critics and Essayists

By

Karen Zarker / 28 September 2022

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