Differing Depictions of Poverty in Brazilian Films ‘Barren Lives’ and ‘Central Station’
Brazil’s recent presidential inauguration provides the background for excavating Brazilian Cinema’s depictions of poverty in Barren Lives and Central Station.
Aaron Homem
Aaron Homem is an aspiring scholar who graduated from Emerson
College in 2022 with a B.A. in Media Studies and a Minor in
Postcolonial and Global Studies. He is indebted to his Portuguese
background and has a particular affinity for Lusophone media.
Aaron has previously published articles on cinema for Latent Images.