Florence Adooni’s Astonishing ‘A.O.E.I.U.’ Is Electrifying
Florence Adooni has effortless, down-to-earth charisma from start to finish, from her most lighthearted moments to her most earnest.
Florence Adooni has effortless, down-to-earth charisma from start to finish, from her most lighthearted moments to her most earnest.
Mdou Moctar’s Tears of Injustice is cause for mourning and melancholy. It makes time for lamentation, knowing there is more to sustaining resistance than fighting with fire.
Kaito Winse takes seriously the responsibility of being a tradition bearer while still having fun. Reele Bumbou is a compelling sampler of his skills.
Dowdelin’s Tchenbe! packs an emotionally nuanced punch, allowing the Creole Afro-Futurists’ style to develop in promising ways.
Jupiter and Okwess make bold music that moves the body and mind. They are expert at making history and social commentary exciting.
It’s always a good time to revisit music taking a stand against fascism, and Violeta Parra’s Las Últimas Composiciones has some of South America’s best.
In this ‘Jazz Is Dead’ celebration of highlife legend, Ebo Taylor, a genuinely appreciative team revels in everything he’s done in the past six decades.
Silvan Strauss moves between fresh air and outer space, electronic signals, acoustic strings, and flutes, everything blended in barely tangible combinations.
Boom.Diwan’s new LP is gorgeous, deeply personal work that emerges from encounters between performers with diverse backgrounds and expertise.
For all the Bongo Hop owe to Sevet’s time in Colombia, La Pata Coja centers less around abstract ideas of place than it does around people.
Sababu is a decisive step forward for Aboubakar Traoré and Balima, moving them toward becoming internationally focused West African folk-pop standouts.
The five tracks of Lion Awakes, meant to accompany Antibalas member Amayo’s upcoming film, tell an autobiographical and mythological story.