Alex Franquelli
Polar Bear: Same As You
Polar Bear return with a tense but accessible album.
Tristan Perich: Parallels
Minimalism, purism, discipline are the three components that make up Tristan Perich's music and this album in particular.
Zu: Cortar Todo
It roars, dilutes, squeals, shrieks, pulsates and squawks. Welcome to the world of Zu.
Contretemps: Pronouncement
Distressing, awkward, disturbing and almost upsetting, this aura of discomfort, if combined with the sound of the term itself (|ˈkɒntrətɒ̃|) is the essence of the music presented by Joel Ebner.
John Supko and Bill Seaman: s_traits
This is chance over method: a real post-industrial display of art born out of an immediate flow of ideas, immortalised onto a disk, assembled by the very negation of art that is genuine calculus and roughly adjusted by man
The Sharp Things: Adventurer’s Inn
A band at the peak of its career, one which appears to be happily unsatisfied, yet chronically inspired by melancholy.
Exit Verse: Exit Verse
One can’t help but being drawn in by the output, rather than the method, by the pure creative act, instead of the artistic potency
George Harrison: The Apple Years 1968-75
Listening to the entire production on offer here means delving inside an artist's trajectory. Naivety, genius and clever pop.
Match & Fuse Festival: 3 October 2014 – London (Photos)
Did I know the No Hay Banda Trio before I stepped into Rich Mix in sadly up-and-coming Shoreditch? Yes. Was I at all aware that Clare Savage and Bellatrix were hiding a monstrous talent in their minute figures? I do now.
smallgang: San
The main discriminant between a bluff and the worthwhile is quality, and smallgang have plenty of it.
Pink Floyd: The Division Bell (20th Anniversary Deluxe Edition)
Welcome to the machine.