The Visual Aesthetic of ‘Don’t Knock Twice’, Like Its Moral Agenda, is Dark
Don’t Knock Twice delivers on two levels. Savor its clever annotations of feminist horror film theory. Or just enjoy the more visceral pleasures of fear.
Amanda Gilroy
‘Rogue Archives’: Fan Fiction and Cultural Memory
Featuring "archive elves" and "digital marionettes", Rogue Archives offers a joyful memorialization of fan productions.
Problems at the Zoo
While revealing the complex social ecology of zoos, David Grazian's ethnographic safari ends up defending moral twilight zones.