Heather Youmans Celebrates Imperfect Love on “Worth It”
Like the country-pop song itself says, Heather Youmans is willing to take a risk in her single “Worth It” when she knows it’s worth it.
Like the country-pop song itself says, Heather Youmans is willing to take a risk in her single “Worth It” when she knows it’s worth it.
As a nod to their AI-inspired concept, K-pop group aespa make electronic music that challenges the limits of genres and song structures in debut EP, Savage.
The second EP by the multitalented K-pop artist Wonho, Blue Letter is like a soothing summer breeze there to enhance a perfect summer blue sky.
Passion is a risk in the life of BTS’ Jeon Jungkook and in Clarice Lispector’s 1964 novel The Passion According to G.H.
Award-winning Brazilian musician Rodrigo Amarante talks with PopMatters about diversifying Latin sounds and ringing the political alarm in Brazil.
K-pop’s CRAVITY talk with PopMatters about trying bossa nova for the first time and how “GO GO” fits the message of their first full-length album.
K-pop’s Red Velvet load up their new mini-album Queendom with all of the best and tasty pop ingredients.
At only 17, Michelle Branch created The Spirit Room, an album that perfectly balances an indie approach with mainstream-friendly songwriting.
Marisa Monte’s first album in ten years is almost escapist in how its positivity and romance distance from Brazil’s current situation.
As Carole King’s magnum opus Tapestry turns 50, scholar Loren Glass gives King and her work a deserved place in Bloomsbury’s prestigious 33 1/3 series.
Taste of Love is an enjoyable dance-pop album but the best moments of TWICE’s new phase are in its predecessors.
Korean singer-songwriter Song Heejin uses every color of her experience in the K-pop industry to paint a gorgeous, diversified landscape on ‘Soda’.