MetalMatters: April 2020 – Notes from the Quarantine
In times of quarantine we listen and we write, so here are 20 extreme (and some experimental) records to spin during these times.
In times of quarantine we listen and we write, so here are 20 extreme (and some experimental) records to spin during these times.
March's MetalMatters features extreme tunes to get you through difficult times. Hopefully, they will momentarily allow you to escape from this harsh reality.
February in heavy music features long-awaited returns from Psychotic Waltz, Envy, and Today Is the Day, along with a healthy dose of black metal and experimental music.
The new year, and the new decade, kick things off in the most promising way possible as a combination of newcomers and established acts produce amazing works across death, black, metalcore, power and thrash metal.
The last month of the 2010s was defined by an explosion of black metal grimness, modern and retro sprinkled with death metal brutality, caustic hardcore and some historic re-releases.
Filled with everything from extreme doom/death and progressive death to experimental avant-garde jazz induced visions and screamo dreams, November does not disappoint.
Throughout Mechanical Flirtations, Iranian duo Saint Abdullah deal in weaponized compassion and empathy, tuning their boundless music to start fires. Theirs is a sound of protest and resistance, of warmth and reconciliation.
On their debut Naomi, Portuguese duo HRNS channel memories and feelings into impressionistic ambient drones.
Japanese black metal stalwarts Sigh explore madness through folklore and experiment with new sounds on Heir to Despair.
Norwegian art rock band Manes contemplate death and human existence on their electronica and trip-hop infused full-length Slow Motion Death Sequence.
Brooklyn-based black metal band Mutilation Rites hone their style and with Chasm deliver their best album so far.
To experience Lucrecia Dalt's Anticlines is to immerse oneself into the musical equivalent of a sensory deprivation tank.