Black Country, New Road show us what a "rock band" or "rock outfit" can achieve on For the First Time. For those bands labeled as experimental, we now have an expectation and a new benchmark.
Home is an ambitious effort and contains some of the most exciting music released by Rhye.
Bicep's sophomore release Isles is much more grown-up and conflicted. However, this is not to the detriment of their characteristic eclectic abandon.
Shiver is Jónsi but not as we know him. The Sigur Rós frontman teams with avant-garde electronic producer A. G. Cook to create a new sound and direction in the veteran experimentalist's career.
With Every Bad, Porridge Radio seduce us with the vulnerability and existential confusion of Dana Margolin's deathly beautiful lyricism interweaved with alluring pop melodies.
The UK's 12 best albums are proposed in a shortlist made by the prestigious Mercury Prize.
100 gecs' follow up their debut with a "remix album" stuffed with features, remixes, covers, and a couple of new recordings. But don't worry, it's just as blissfully difficult as their debut.
On What's Your Pleasure, Jessie Ware returns to where it all began, the dance floor.
With Welcome to Bobby's Motel, Pottery have crafted songs to cleanse your musical pallet and keep you firmly on the tips of your toes.
Shadow Offering has glimmers of Braids' former album but with a new direction and an attempt to adopt a new maturity and sensibility.
Chromeo's Quarantine Casanova is the light-hearted silver lining we all need in the dark cloud that we are all facing together.
Jehnny Beth's (Savages) solo debut To Love Is to Live feels like a really good book. Each track gives you a deeper dive into a complex and multifaceted, destructive character.
