Oracle Sisters Blend Mellow Rock With Magical Mysticism
Parisian mellow indie rockers the Oracle Sisters are at their best when given the freedom to experiment, and Divinations offers ample space for that.
Parisian mellow indie rockers the Oracle Sisters are at their best when given the freedom to experiment, and Divinations offers ample space for that.
With Phonetics On and On, Horsegirl move beyond their influences, carving out a distinct identity shaped through time and life experience.
Minimalistic and captivating, Lontalius’ new album shows a more concentrated sound. It reflects his growth and marks a high watermark.
The experience of Ethel Cain’s Perverts is gloomy, powerful, and extremely terrifying. It’s practically a masterclass on how to score for a horror film.
Saint Etienne follow their creative intuition. The ambient music of The Night is a fascinating turn in their ever-adventurous discography.
Boundless & True captures Field Medic’s Kevin Patrick Sullivan almost entirely by himself, delivering masterfully fingerpicked and beautifully written songs.
The songs on Peach Pit’s Magpie have little idiosyncrasies. They are built around sophisticated chord progressions and unique vocal and guitar melodies.
Mount Eerie’s new LP takes listeners on a slow journey through somber moods and reflective soundscapes, rich with poetry and imaginative storytelling.
Christian Lee Hutson’s Paradise Pop. 10 is one of those subtle and more nuanced albums, likely causing it to slip under the radar, but Hutson has arrived.
JW Francis executes his ideas with precision and shows exceptional growth while maintaining a firm root in the DIY lo-fi spirit. SUNSHINE is yet another example.
Austin’s Being Dead offer up a bizarre, disjointed realm that constantly shifts, sweeping you up and launching you into the most unexpected places.
Pale Waves ride nostalgia like they were old enough to have lived it. Whether their mimicry is incidental or purposeful, Smitten is another enjoyable record.