
Baths’ New Record Is Filled with Beauty and Menace
Baths’ Gut is a potent record, all the better for the tension it leaves unresolved. Musically, these are some of Will Wiesenfeld’s warmest, most inviting songs.
Baths’ Gut is a potent record, all the better for the tension it leaves unresolved. Musically, these are some of Will Wiesenfeld’s warmest, most inviting songs.
Archers of Loaf’s Vee Vee takes on the mythos of rock stardom, the underbelly of local music scenes, and their rules. It also critiques consumerism.
Alt-rocker Shawn Marom discusses Cryogeyser’s career-peak new record, which is a magical, heartfelt journey through grief and growth.
On the passing of legendary director David Lynch, we share five films that nailed us in our hearts and guts and skewered us to our soft, squishy, emotional cores.
Bob Mould’s reliably brilliant songwriting chops are in top form on Here We Go Crazy as he rages against fascism and shows how anger can keep us going.
Alternative rock legend Bob Mould returns with a very timely, politically-minded album, Here We Go Crazy, a spring tour, and chats about his musical work.
Alternative rock’s Cryogeyser pour everything they have into this compelling, 1990s-influenced song cycle.
Drive-By Truckers frontman Patterson Hood’s new solo record is an unsentimental look back at events that shaped him.
Fear may have inspired Bartees Strange’s new LP, but the songs on Horror are some of his best to date. He is one of the key artists of this decade.
Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.
Stephen Deusner’s entry in the 33 1/3 series about the wreckage of Garth Brooks’ ‘The Life of Chris Gains project makes for a mightily entertaining read.
Belly’s rock-oriented follow-up, King, to their dream pop debut, Star, didn’t deserve its fate. It showcases a talented group stretching their sound.