
The Ophelias Outdo Themselves on the Brilliant ‘Spring Grove’
The Ophelias sound like they are just getting to their best work on Spring Grove, and it is thrilling to hear them push themselves to new heights.

The Ophelias sound like they are just getting to their best work on Spring Grove, and it is thrilling to hear them push themselves to new heights.

Patterson Hood’s new LP is a rich musical departure from the raucous rockers he crafts for his day job. It showcases his gifts as a storyteller with a director’s eye.

Baths’ Gut is a potent record, all the better for the tension it leaves unresolved. Musically, these are some of Will Wiesenfeld’s warmest, most inviting songs.

Archers of Loaf’s Vee Vee takes on the mythos of rock stardom, the underbelly of local music scenes, and their rules. It also critiques consumerism.

Alt-rocker Shawn Marom discusses Cryogeyser’s career-peak new record, which is a magical, heartfelt journey through grief and growth.

On the passing of legendary director David Lynch, we share five films that nailed us in our hearts and guts and skewered us to our soft, squishy, emotional cores.

Bob Mould’s reliably brilliant songwriting chops are in top form on Here We Go Crazy as he rages against fascism and shows how anger can keep us going.

Alternative rock legend Bob Mould returns with a very timely, politically-minded album, Here We Go Crazy, a spring tour, and chats about his musical work.

Alternative rock’s Cryogeyser pour everything they have into this compelling, 1990s-influenced song cycle.

Drive-By Truckers frontman Patterson Hood’s new solo record is an unsentimental look back at events that shaped him.

Fear may have inspired Bartees Strange’s new LP, but the songs on Horror are some of his best to date. He is one of the key artists of this decade.

Aimee Mann is a survivor, wizened by experience but willing to keep going with a bit of hope, and Bachelor No. 2 is the peak of her powers.