Myriam Gendron Hovers Between Balladry and Freer Spaces
Myriam Gendron effortlessly houses old musical DNA in new musical organisms, bridging the original with the traditional to guarantee her music’s timelessness.
Myriam Gendron effortlessly houses old musical DNA in new musical organisms, bridging the original with the traditional to guarantee her music’s timelessness.
Abigail Lapell navigates space somewhere between folk, classic country, and lullabies for songs that harness a productive disquiet on Anniversary.
On Jlin’s Akoma, composers long recognized for their innovations, such as Philip Glass, the Kronos Quartet, and Björk, are pulled into her orbit.
Abdallah Oumbadougou’s music is astounding, with guitar lines that seep into one’s pores and lyrics addressing revolution, homesickness, and lost love.
HAAi places older artists in the company of contemporary DJs for a set offering insight into how electronic dance music can be a transportive experience.
Lee Gamble recognizes that AI is outstripping our ability to understand or harness it. Models can be seen as an unsettling commentary on that reality.
Le Jour et la Nuit du Réel is a departure for Colleen and a natural progression. She delivers a micro-focused version of her sound sculptures.
Laurel Halo’s Atlas feels like a natural progression. Mixing her voice with electronics and instruments, she creates her most glacial music yet.
Anyone coming to RP Boo or footwork in general via this release needs to be prepared to have their bones rearranged and their senses overloaded.
The music Joshua Abrams makes with his Natural Information Society is at once inviting, spell-inducing, and consciousness provoking.
SABIWA relies on Taiwan’s natural beauty and its traditions for a record that defies comfortable categorization and demands repeated listening.
As one-half of the experimental YoshimiOizumikiYoshiduO, Yoshimi permits her music to seemingly pop up from under the ground like a rare and fragile fungus.