Jlin’s Sonic Palette Defies Gravity and Genre on ‘Akoma’
On Jlin’s Akoma, composers long recognized for their innovations, such as Philip Glass, the Kronos Quartet, and Björk, are pulled into her orbit.
Bruce Miller
Bruce earned an MFA in fiction from Goddard College. He teaches college-level composition and literature. He has traveled, documenting music from India, Uganda, Ghana, Senegal, Vietnam, and elsewhere. He's published in Magnet, Rootsworld, Signal to Noise, The Old Time Herald, and The Oxford American.
Tuareg Guitar Godfather Abdallah Oumbadougou
Abdallah Oumbadougou’s music is astounding, with guitar lines that seep into one’s pores and lyrics addressing revolution, homesickness, and lost love.
HAAi Uses “Always Ascending” As a Concept for ‘DJ Kicks’
HAAi places older artists in the company of contemporary DJs for a set offering insight into how electronic dance music can be a transportive experience.
Lee Gamble’s ‘Models’ Wallows in AI’s Unharnessability
Lee Gamble recognizes that AI is outstripping our ability to understand or harness it. Models can be seen as an unsettling commentary on that reality.
Colleen Delivers Micro-Focused Version of Her Sound Sculptures
Le Jour et la Nuit du Réel is a departure for Colleen and a natural progression. She delivers a micro-focused version of her sound sculptures.
Laurel Halo’s Music Becomes Even More Glacially Cinematic on ‘Atlas’
Laurel Halo’s Atlas feels like a natural progression. Mixing her voice with electronics and instruments, she creates her most glacial music yet.
RP Boo’s ‘Legacy Volume 2’ Reminds of Chicago Footwork’s Radical Origins
Anyone coming to RP Boo or footwork in general via this release needs to be prepared to have their bones rearranged and their senses overloaded.
Natural Information Society’s ‘Since Time Is Gravity’ Derives Energy From Communion
The music Joshua Abrams makes with his Natural Information Society is at once inviting, spell-inducing, and consciousness provoking.
SABIWA Folds the Music of Taiwan’s Ethnic Groups Into Odd, Elastic Concréte
SABIWA relies on Taiwan’s natural beauty and its traditions for a record that defies comfortable categorization and demands repeated listening.
YoshimiOizumikiYoshiduO Apply Synthesized Alterations to Piano and Voice
As one-half of the experimental YoshimiOizumikiYoshiduO, Yoshimi permits her music to seemingly pop up from under the ground like a rare and fragile fungus.
Fleetwood Mac’s First LP Shows a Hungry, Irreverent Approach to Chicago Blues
Surprisingly, Fleetwood Mac began life as a blues-rock band before morphing into the pop/rock juggernaut that ruled the charts in the late 1970s.
Faten Kanaan Revels in Ever-Molting Textures on ‘Afterpoem’
Faten Kanaan’s musical molting feels more organic than the repetition in Steve Reich or Philip Glass; her music doesn’t rely on an unwavering framework for effect.
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