Carl Wilson is a freelance writer based in Sheffield, UK. He's contributed to over a dozen edited collections on film and TV. Examining a variety of subjects, his work has recently appeared in books on Jane Austen, women screenwriters, world film locations (Havana, Toronto, and Vancouver), four volumes from the Directory of World Cinema series (on American independent and Hollywood cinema), and PopMatters' own book on Joss Whedon: After the Avengers, which you should probably check out now that we're all friends.
As the series comes to an end, vampires, the Incubus, and an army of the undead knock on Jekyll's door, only for Hyde to answer; unfortunately, he doesn't like cold-callers.
As we draw closer to the end, moral beasts and political monsters threaten to overshadow child murder, until confessions of mad-science experiments gone wrong point Inspector Marlott towards the real mastermind of the season.
The gothic images on display in this week’s episode are what you get when you stare into the darkness and the expelled afterbirth of humanity oozes back at you; prepare to get closer to the horror of The Frankenstein Chronicles.
“The Calyx” delivers a thumping adventure story that plays out like a B-movie you might have found whilst channel flicking late at night; it's entirely worth staying up for.
At the mid-point of the series, the gothic horror and Nordic Noir influences are gaining traction, but the pace of the story might not be able to catch up.