‘World War 3 Illustrated #51: The World We Are Fighting For’
World War 3 Illustrated #51 displays an eclectic range of artists united in their call to save democracy from rising fascism.
World War 3 Illustrated #51 displays an eclectic range of artists united in their call to save democracy from rising fascism.
It's odd to read the talk-balloon musings of a Yoda-proportioned philosopher, but C.C. Tsai carries the wisdom in his caricature.
Despite their considerable differences in genre, style, and character temperament, Sophie Yanow and Lisa Hanawalt explore the same inexplicable underworld of longing.
Juan Sasturain and Alberto Breccia's graphic novel Peraramus: The City and Oblivion, is an absurd and existential odyssey of a political dissident who can't remember his name.
Art dances with loss in the moving double-memoir by comics artists Vivian Chong and Georgia Webber, Dancing After TEN.
Weng Pixin is an artist who happens to be working in the comics form.
Fantagraphics' new edition of Inferno takes Art Young's original Depression-era critique to the Trump White House -- and then drags it all to Hell.
In their collaborative graphic fiction, Old Growth, Olivo and Bavarksy drew in tandem, trading the panels back and forth, each adding new details, both and neither taking the role of primary artist-writer.
The images in Blutch's Mitchum are technically cartoons, but the style is idiosyncratic, sometimes warping into full abstraction.
As much as I admire Shintaro Kago's oddness as a writer, his artistic pen is even sharper (but not without problems) as evident in Dementia 21.