Chris Gavaler

Chris Gavaler is an associate professor of English at Washington and Lee University. His books include On the Origin of Superheroes (Iowa 2015), Superhero Comics (Bloomsbury 2017), Superhero Thought Experiments co-authored with Nathaniel Goldberg (Iowa 2019), and Creating Comics co-authored with Leigh Ann Beavers (Bloomsbury forthcoming 2020). He is the comics editor at Shenandoah magazine, and he blogs weekly at thepatronsaintofsuperheroes.wordpress.com.
A Mythical Memoir that Draws the Undrawable: ‘Passing for Human’

A Mythical Memoir that Draws the Undrawable: ‘Passing for Human’

Liana Finck dazzles with her minimalist lines, which include the simple grids of her panels and gutters. Her plot is an artist's plot, a kind of mystery or vision quest.

‘Art Comic’ Is a Comedic Comic of Artful Artlessness

‘Art Comic’ Is a Comedic Comic of Artful Artlessness

Matthew Thurber's Art Comic lampoons the art world by wallowing in its shallowest waters.

The Future Is Female in Aminder Dhaliwal’s ‘Woman World’

The Future Is Female in Aminder Dhaliwal’s ‘Woman World’

Aminder Dhaliwal draws a world without men in her pleasantly post-apocalyptic, not-so-dystopic story of a future, Woman World

‘Coyote Doggirl’ Reveals Unexpected Life Under Familiar Western Terrain

‘Coyote Doggirl’ Reveals Unexpected Life Under Familiar Western Terrain

Lisa Hanawalt's work is proof that even a genre as seemingly played-out as the western can reveal a rich landscape if the right hands are holding the reins.

‘The Instinct for Cooperation’ Breaks Through the Boundaries of the Graphic Novel

‘The Instinct for Cooperation’ Breaks Through the Boundaries of the Graphic Novel

Jeffrey Wilson breaks new ground, adding "graphic interview" to the expanding categories of nonfiction comics and introducing Chomsky and his political thoughts to a new audience of readers.

‘Red Winter’ Weathers the Heartbreaks of Communism

‘Red Winter’ Weathers the Heartbreaks of Communism

Swedish graphic novelist Anneli Furmar paints a bright window into a gray corner of political history.

The Epic Comic Book of Gilgamesh

On Marguerite Dabaie’s Graphic Memoir of Growing Up Palestinian in the US

On Marguerite Dabaie’s Graphic Memoir of Growing Up Palestinian in the US

In The Hookah Girl, Dabaie' portrays herself and her family in an evolving array of styles that creates an underlying instability to her micro-narratives.

Stage to Comics Page: George O’Connor’s Adaptation of Adam Rapp’s Dystopic Play, ‘Ball Peen Hammer’

Stage to Comics Page: George O’Connor’s Adaptation of Adam Rapp’s Dystopic Play, ‘Ball Peen Hammer’

Adam Rapp's characters have to kill and bag children to earn their keep. How does one depict that on stage and on page?

Michael Comeau’s Winter’s Cosmos Explores the Fringes of the Comics Universe

Michael Comeau’s Winter’s Cosmos Explores the Fringes of the Comics Universe

If Winter's Cosmos is Comeau's Alpha Centauri, I look forward to what fruits his new planets will bear next.

Pleasure over Exploitation: Fiona Smyth’s Wholesome Orgies

Renée French’s ‘H Day’ Is a Surreal Exploration of Narrative Ambiguity—or Maybe Not

Renée French’s ‘H Day’ Is a Surreal Exploration of Narrative Ambiguity—or Maybe Not

While migraines are known for their staggering (if temporary) disabling of the sufferer, some artists, like French, fearlessly explore the fantastical element of the migraine experience.