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Father John Misty Beautifully Chronicles Our Messed-Up World
Father John Misty has come as close to perfecting his artistry as anyone can. Mahashmashana is a masterpiece of exceptional songwriting and performance.
Father John Misty has come as close to perfecting his artistry as anyone can. Mahashmashana is a masterpiece of exceptional songwriting and performance.
Due to the unique mix and execution of all the elements present, Alex E. Chávez’s Sonorous Present is richly rewarding and an astonishing sonic experience.
The first full-length album from Strangerfamiliar (aka Ilichna Morasky) sees the musician incorporating synths and exotic percussion on a unique set of songs.
Ross Goldstein’s Blunders embraces the melody and inventiveness of the best pop music but is still unusual and daring enough to stand out.
Luke Wyland’s performances provide the usual Zen moments from this type of ambient minimalism, but there’s a hint of darkness within the notes.
Office Culture’s Charlie Kaplan takes a little from garage rock and folk rock, producing his most satisfying solo release to date. It genuinely mesmerizes.
On the occasion of Office Culture’s ambitious fourth album, Winston Cook-Wilson talks about collaboration, influences, and making dumb sounds on a synthesizer.
Producer and multi-instrumentalist Nate Mendelsohn’s (Market) latest songwriting project Well I Asked You a Question is wobbly, unstable, and catchy as hell.
As they’ve proven on their debut, the Clearwater Swimmers click beautifully as a quartet but are also guided by songwriting of the highest order.
With Lea Thomas and her gifted band at the helm, she has created nothing short of a widescreen, ethereal, sonic gem that one can easily get lost in.
Xiu Xiu are uncompromising and have an equal appreciation for the beauty in life and all of its dark corners. Here, they mix jarring atonality and eerie calm.
Adeline Hotel’s ever-prolific Dan Knishkowy turns inward on his new album, Whodunnit, divorced but devoid of bitterness or blame.