Katy Pinke Charms and Disarms on Her Brilliant Debut
Katy Pinke’s indie folk music on her debut album comes from deep inside. It’s warm and engaging and leaves the listener yearning for more.
Katy Pinke’s indie folk music on her debut album comes from deep inside. It’s warm and engaging and leaves the listener yearning for more.
Minor Moon’s LP is deeply adventurous but has a sharp, reflective eye on the rearview mirror. It’s a warm fuzz of country rock amidst a world falling apart.
Hannah Selin has created a profoundly engaging set of compositions on her debut LP. They are a sonic equivalent to deep sleep and vivid, complex dream states.
The latest release from Michael Cormier-O’Leary’s instrumental collective, Hour, is a deliberately paced work that’s peaceful and oddly disarming.
Celebrated saxophonist Josh Johnson infuses his music with various styles on this surprisingly accessible new LP of processed, ambient jazz.
Queen’s 1974 sophomore album, Queen II is an overlooked progressive rock masterpiece that predicted so much of their later work. It’s also still enormous fun.
Alena Spanger’s music is full of odd twists and unconventional choices, but that’s what makes Fire Escape so enjoyable and undeniably beautiful.
‘Rolling Stone’ co-founder Ralph J. Gleason predates that golden era of music journalism when Lester Bangs and Robert Christgau thrived.
In 1989, XTC released Oranges & Lemons, one of their finest. There are nods to trippy 1960s touchstones, but it’s more of a lush, power-pop celebration.
Hannah Frances’ hypnotic new album Keeper of the Shepherd is a master class in sophisticated songwriting and pastoral scene-setting.
Paris-based experimentalist Mark Trecka incorporates a slightly more traditional song structure on his excellent new album, The Bloom of Performance.
New York-based violinist and composer Armbruster explores drone, distortion, and melody on his excellent new album Can I Sit Here.