Putting the Eyebrows on It: Frank Zappa’s ‘The Yellow Shark’ at 30
The orchestral music of Frank Zappa is required listening for any fan of 20th-century classical music, and The Yellow Shark is the best place to start.
The orchestral music of Frank Zappa is required listening for any fan of 20th-century classical music, and The Yellow Shark is the best place to start.
Brooklyn alternative pop artist Katie von Schleicher discusses her brilliant new, dreamy album, and why she allows the freedom to be herself.
Tenor saxophonist Ivo Perelman and trumpeter Nate Wooley explore the limits of free jazz on this welcome sequel with its power of boundless musical interplay.
Gold Dime’s No More Blue Skies can be loud, fast, and urgent but will also disarm you and create a deeply unsettling atmosphere. It’s well worth the wait.
Mare Berger’s Dreaming Blue is a richly melodic ode to love, grief and nature, and it wears its Joni Mitchell and Joanna Newsom influences well.
The sole release from the experimental collective Family Dynamics gets the long-awaited vinyl treatment, and it’s an exquisite, impossible-to-classify gem.
Piano and tape loops provide the basis for pianist Richard Sears’ most satisfying, compelling release to date, Appear to Fade.
Eclectic composer Jessica Pavone pays tribute to women-made inventions through powerful musical compositions and performances in her new string ensemble album.
With Soft Sounds, Brooklyn quartet JOBS continue to guide us out of predictability and into previously unknown musical avenues, lush with possibilities.
The sophistication of Charlie Kaplan’s gorgeous LP is impressive and a reminder that sometimes the simplest, sincere gestures are the warmest and longest-lasting.
As the latest entry in a carefully curated audiophile series, jazz icon Thelonious Monk’s 1957 masterpiece Brilliant Corners sounds better than ever.
Tom Waits’ 1983 album Swordfishtrombones signified a seismic shift in the singer-songwriter’s sound. His music would never be the same again.