Chris Robé

Chris Robé is a professor of film and media studies. His articles on media activism have appeared within journals such as Jump Cut, Journal of Cinema and Media Studies, Framework and Film History. He has written two books: Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Left Film Culture (2010) and Breaking the Spell: A History of Anarchist Filmmakers, Videotape Guerrillas, and Digital Ninjas (2017). His forthcoming co-edited collection with Stephen Charbonneau, InsUrgent Media from the Front: A Media Activism Reader, will be published by University of Indiana Press in fall 2020. . He is currently completing a book on state repression, media activism, and grassroots organizing that addresses copwatching, Muslim American resistance, counter-summit protesting, and animal rights activism. He is also conducting archival work on Raymond Williams' work concerning grassroots and alternative media. In his spare time he agitates for his friendly faculty union and plays music. None of his views reflect that of his employer-- thank god.

The (Un)Making of the English Aristocracy: ‘Downton Abbey: Season 3’

Outsiders Looking in at the Republican National Convention 2012

Tours from the Crypt: Ozzy Osbourne, ‘Speak of the Devil’

Occupying Video: The Underbelly of Globalization Caught on Camera

‘The Cigarette Girl of Mosselprom’: A Soviet-Era Critique of ‘Americanitis’

Rust Belt Visions: The 2011 Allied Media Conference

‘AC/DC: Let There Be Rock’: The Working Class Ethic, Amplified

‘Casino Jack’: B-Movie Billionaires

The Haunting of Lars von Trier in ‘Anti-Christ’

Be the Media: The Current State of Activist Media and the Work of Franklin Lopez

‘The Grapes of Wrath’: The Specter of Tom Joad Emerges From America’s Dark Past, Once Again

Vivre Sa Vie / My Life to Live