On the Socially Conscious Filmmaker, Sidney Lumet
Maura Spiegel's biography provides a thorough and compelling look at the life and films of the progressive New York icon filmmaker, Sidney Lumet.
Maura Spiegel's biography provides a thorough and compelling look at the life and films of the progressive New York icon filmmaker, Sidney Lumet.
Matthew Gutmann's Are Men Animals is and interesting but flawed, rushed look at masculinity that suffers from digressions and an unwillingness to be as political as it could have been.
The similes in Miriam Cohen's impressive debut short story collection, Adults and Other Children, are perfectly attuned to the essence of her characters.
Although his works evoke Charles Bukowski, Flannery O'Connor, Carson McCullers, and William Faulkner, Larry Brown's unapologetic characters were always his own.
TV star/writer/podcast host -- just don't call him a standup comic -- John Hodgman tackles class aspiration and other inconveniences in his memoir, Medallion Status.
With his latest, The Cockroach, the otherwise masterful British novelist Ian McEwan proves that too much cleverness can kill satire.
Dave Eggers' latest is a slim satire about the sinking ship of Donald Trump and the potential sinking of the glorious ship of State.
Social historian Sam Wasson's The Big Goodbye: Chinatown and the Last Years of Hollywood, is a graceful and compelling elegy to both Roman Polanski's landmark film, and the end times of old Hollywood.
Mister Rogers and Philosophy considers reality, fantasy, and our philosophical role in both worlds of the long-running PBS children’s program.
Steven Bingen's Easy Rider: 50 Years Looking for America makes clear that he thinks Dennis Hopper's Easy Rider is a great film and it's not for the critics to decide.
Larry Charles' misunderstood dystopic arthouse movie from 2003, Masked and Anonymous, becomes real in Trump's 2019 Impeachment America.