Christopher Laird is a teacher and a writer from Alton, Illinois. His hobbies include writing and teaching and playing floor hockey. Find him on Twitter: @SeaLairdPop
Pere Ubu is known mostly for their first two records, The Modern Dance and Dub Housing. This subsequent trio of releases showcases a noted change in the direction of the band.
Twenty-five years on, the populace gets a renewed look at Soundgarden’s contribution to the year punk broke with a fully loaded reissue of their career-changing Badmotorfinger.
“Love” is a wide word, having many different meanings in many different contexts, so these song collages take inspiration from all over the spectrum of audio love.
The Pennsylvania post-hardcore band Balance and Composure have changed a bit. Is it a slick and successful movement toward a fresh sound, or is it an awkward stumble?
In 2000, in between the career-defining albums Secret Name and The Things We Lost in the Fire, Low created the EP The Exit Papers, a stab at making film music.
Orphée is the first album by Jóhann Jóhannsson not associated with a film since 2009’s Fordlandia, and from the opening track, it shows itself as a work to be heard on its own terms.