Shakespeare's plays offer endless potential for adaptation, but sometimes, as is true of Geoffrey Wright's Macbeth (2006), when these reinterpretations fail we get a clearer impression of the original's genius.
The Trump presidency is Shakespeare's Troilus and Cressida made real – only it's stripped of the mythology and just lying bare and ugly for all to see.
The return of Roseanne brings with it some complicated political baggage -- and it brings Dan Connor back from the dead.
Cinema's Russian doll of vacuous misogynist hyper-sexualised spectacle is a swing-and-a-miss.
As you interrogate your companions and enemies i to understand their worlds, Mass Effect has been questioning you. What kind of player are you?
Whereas Star Trek: Discovery continues to explore ideological complexities, so far The Orville seems little more than a celebration of Seth MacFarlane's love of the Star Trek property and his ability to indulge in expensive cosplay.
