‘Living in Extraordinary Times’ Is Extraordinary and Finds James Firing on All Cylinders
Few bands are capable of making music this vital and alive 35 years into their careers. James are one of the greats.
Few bands are capable of making music this vital and alive 35 years into their careers. James are one of the greats.
Bird Streets shows John Brodeur's growth into an introspective songwriter, while Jason Falkner's production takes his long-established bedroom pop sound into a more fully-realized, radio-ready sound.
Adam Faucett's long awaited follow-up to 2014's Blind Water Meets Blind Water absolutely soars.
The fourth in Cherry Red's ongoing exploration of NME's influential C86 compilation and its aftermath, this Neil Taylor-curated collection mines the indie forbearers of the 90's Britpop explosion.
In the end, the most impressive feature of these new recordings of Midge Ure is Ure's voice.
A new voice in American Primitive Guitar, Welsh instrumentalist Gwenifer Raymond matches dexterity with melody on a strong debut.
Still finding new ways to refine and expand a beloved sound, the Jayhawks' Back Roads and Abandoned Motels is a triumph.
An inviting artist with a common touch, AHI has the ability to motivate and inspire a broad audience as we see on In Our Time.
An unexpected collaboration between Joseph Arthur and Peter Buck produces a great summer record of noisy, dark garage-pop.
Beth McKee's music shows just how vibrant and vital America's independent roots music scene remains.
The Devil’s Music shows how religious conservatives spent as much time studying popular culture as condemning it and have learned its lessons more effectively than progressives.
Attempting a bold departure from the English folk style, Ryley Walker and his pickup band's pseudo-jazz flourishes and prog-jam pretentions drift in search of a destination.