Ed Whitelock is a professor of English at Gordon State College in Barnesville, GA, just 106 miles southwest of Philomath. He is co-author, with David Janssen, of Apocalypse Jukebox: The End of the World in American Popular Music (2009) from the PopMatters imprint of Soft Skull Press.
A storyteller with a painter’s eye and a musician with an ancient troubadour’s soul, John McCutcheon’s 38th release reminds us why he’s a modern master.
Kenny Anderson, the mad pop genius behind the King Creosote moniker, begins his sixth decade of existence with this loosely cohesive, moderately trippy, and deeply enjoyable record.
This career-spanning anthology reveals not only Eyeless in Gaza’s import to the development of synthpop but also their ongoing commitment to exploring and even breaking the boundaries of that genre in consistently rewarding ways.
Shindell is an influential figure in the Fast Folk genre, and with the release of his 10th album, spoke to PopMatters about the long and ultimately rewarding process of creating Careless.
On his 18th album, David Bromberg teaches a master-class not only in the history of blues-inflected Americana but also in how to keep that music alive and relevant.