The Wombats’ Pair Less Polish With More Self Loathing
The Wombats’ Oh! The Ocean struggles with authenticity, balancing earnestness and self-critique, yet hints at untapped artistic potential.
Emily Votaw
Emily Votaw writes about music for NPR affiliate WOUB. She’s contributed to Billboard, Cleveland Scene, and No Dogs In Space. She regularly hosts a radio show, available online and terrestrially on WOUB AM. She shares updates via Instagram: @dumb_girl_lesterbangs
Death By Unga Bunga Boldly Fuse Power Pop and Garage Rock
Death by Unga Bunga’s Raw Muscular Power is a wild, humorous blend of power-pop and garage rock, tackling existential crises with infectious energy.
‘Sun Ra: a Joyful Noise’ and the Joy of Ra’s Mythocracy
This film serves as an excellent way to try to begin to comprehend the enigma that was Sun Ra.
Half Japanese: Perfect
The consistently strange, dependably wonderful Jad Fair has gifted fans with a concise, enjoyable and, as always, bizarre, new Half Japanese record.
The New ‘Walt Disney Short Films Collection’ Is Rather Charming
Although we expect some emotional junk food from Disney studios, this new collection boasts shorts that not only warm your heart, but dazzle you with impressive animation, as well.
High Tides: High Tides
High Tides swirls nostalgia, synthesizers and neon-coated pop together for a sun-bleached beauty
Superchunk: Come Pick Me Up (Reissue)
In 1999 Superchunk released their prettiest album to date thanks to Jim O'Rourke's delicate touch. Now Merge Records releases the album with a handful of gorgeous demos.
The Minus 5: Dungeon Golds
Dungeon Golds reeks of Record Store Day as it sounds like something that a super fan would hoard.