Erin Giannini

Erin Giannini, PhD, is an independent scholar in television studies. She's written about product placement and new tech and their effect on TV. She has also published and presented work on religion, socioeconomics, technology, and corporate culture in series such as Supernatural, Dollhouse, Heroes, and Mystery Science Theater 3000, and would like to thank the invention of coffee for making it all possible.
11.22.63: Season 1, Episode 5 – “The Truth”

11.22.63: Season 1, Episode 5 – “The Truth”

The journey to the truth takes some interesting, and disturbing, turns this week.
11.22.63: Season 1, Episode 4 – “The Eyes of Texas”

11.22.63: Season 1, Episode 4 – “The Eyes of Texas”

There’s no escape from being watched, even in 1963.
11.22.63: Season 1, Episode 3 – “Other Voices, Other Rooms”

11.22.63: Season 1, Episode 3 – “Other Voices, Other Rooms”

The latest episode of 11.22.63 is sadly resonant with the contemporary political and social climate.
11.22.63: Season 1, Episode 2 – “The Kill Floor”

11.22.63: Season 1, Episode 2 – “The Kill Floor”

Focusing on essence rather than particulars of the novel, "The Kill Floor" stakes the series' claim as its own story.
11.22.63: Season 1, Episode 1 – “The Rabbit Hole”

11.22.63: Season 1, Episode 1 – “The Rabbit Hole”

Despite some shaky motivations and necessary exposition, 11.22.63's first episode is intriguing enough to stay on the journey.
The Ethics of Lying and Other Philosophical Inquires Into ‘The Princess Bride’

The Ethics of Lying and Other Philosophical Inquires Into ‘The Princess Bride’

Each essay in The Princess Bride and Philosophy does precisely what the series intends: offers new perspectives and greater insights into popular culture.
‘Mystery Science Theater, Volume XXXIV’ and AIP Make a Perfect Match

‘Mystery Science Theater, Volume XXXIV’ and AIP Make a Perfect Match

The latest Mystery Science Theater 3000 release offers an excellent, if snarky, tribute to the late, not-so-great American International Pictures studio.
‘Outlander’ Continues to Subvert Expectations in the Second Half of Season 1

‘Outlander’ Continues to Subvert Expectations in the Second Half of Season 1

Scottish landscapes, authentic detail, and the female gaze. Who could ask for more?