20 Questions: Alexis Taylor
Hot Chip's Alexis Taylor finally gives in to his pop instincts on his new record, working with an outside producer and then telling us why Rubbermaid bins remind him of Star Wars.
Hot Chip's Alexis Taylor finally gives in to his pop instincts on his new record, working with an outside producer and then telling us why Rubbermaid bins remind him of Star Wars.
U2's 1997 LP Pop marked peak sell-out for a very authentic '80s band. With a new vinyl reissue, the Flipside boys revisit it and wonder if it deserves to be as maligned as it is.
UK electronic producer Kwes can write his own future, but outside of pushing his sound in directions, looks back fondly on the records that inspired and taught him.
Arvo Pärt's symphonies have sometimes been dismissed as too bracing and academic to be enjoyed on a basic appreciative level. This new set from ECM seeks to prove otherwise.
Jaime Fennelly of Mind over Mirrors has long incorporated color and textiles into his transcendent live shows, but for Bellowing Sun he went further out onto the spectrum with a 15-foot drum-shaped zoetrope suspended over the stage and a full band.
After a collaborative album with k.d. lang and Neko Case, Laura Veirs re-emerges with a delicate, deliberate collection of folk-pop wonders, as well as a love for the Pixar film Coco and all things coffee.
The Flipside examines film director Baz Luhrmann's surprisingly lively bubblegum pop effort Something for Everybody, which celebrates its 20th anniversary this year.
"Use as few sounds as possible to get your point across when making music." Pretty great advice from a dance trio that's shaking up the system.
Channel Zero is the most shocking, terrifying show on TV right now. With the meat-cult third season that was Butcher's Block now finished, creator and showrunner Nick Antosca talks about the show's development, themes, and future.
George Fitzgerald's sophomore effort might be the dance album of the year. With PopMatters, he talks Josef K, OutKast, and how his career all started with a cracked copy of Ableton.
Can't wait for the next Avalanches album? Melbourne's Alice Ivy cites them as an influence but carves out a sample-based beatscape all her own, making for a compelling listen from one of the year's breakout stars.
With the Academy Awards upon us, the Flipside examines whether the world's biggest platform for movie recognition might actually get it right this year, and avoid any, let's say, giant televised mishaps.