Dr. John’s ‘The Montreux Years’ Highlights His Very Best
The 14 performances recorded over 26 years at the Montreux Jazz Festival capture New Orleans’ Mac “Dr. John” Rebennack at the peak of his powers.
The 14 performances recorded over 26 years at the Montreux Jazz Festival capture New Orleans’ Mac “Dr. John” Rebennack at the peak of his powers.
Past is prologue in NYPD history The Italian Squad: opposition to immigration; institutional racism; political surveillance and repression; police corruption and brutality.
While Europe embraced Willy Deville’s Bohemian multi-genre artistry, most US listeners remained ignorant of his music. The documentary Heaven Stood Still was made, in part, to rectify that.
This year’s edition of globalFEST, the 22-year-old music event, brought an eclectic array of artists to New York stages and NPR’s Tiny Desk series.
In The Philosophy of Modern Song, Bob Dylan conveys his thoughts in his signature styles, as in his lyrics, he can be plainspoken, gnomic, and over the top.
The Viral Underclass digs into capitalism, Big Pharma, “Gay-Inc.” and other factors surrounding Covid-19 and HIV that force a greater toll on the already marginalized.
Ibrahim Maalouf and Angelique Kidjo reinvent the Solomon-Sheba legend as a cross-cultural story with contemporary resonance on Queen of Sheba.
Samuel Clowes-Huneke’s decades-spanning, groundbreaking history of gay liberation in East Germany and West Germany challenges conventional assumptions about dictatorships and democracies.
More than 50 years since they last recorded together, Taj Mahal and Ry Cooder reunite for a tribute to blues heroes Sonny Terry and Brownie McGhee.
Blues is the foundation of much American music, but it’s often seen as a legacy genre. These 12 blues artists make the case for its continuing relevance and vitality.
Back on the road after a pandemic layoff, Bob Dylan and his band returned to New York’s Beacon Theater with a captivating show focused on his latest album.
John Milward’s new history of Americana puts the mixed genre at the corner of country and rock while slighting race and the music’s Black roots and performers.