Guy Crucianelli is an Associate Lecturer at the University of Wisconsin-Parkside. His work has appeared at Senses of Cinema, Bright Lights Film Journal and the Journal of Popular Culture. He is also a regular contributor to the 101 Movies You Must See Before You Die series.
Throne of Blood plays with Noh's frightening incongruity, its delicacy of movement expressing mortifyingly indelicate actions, as when Washizu and Asaji deflate like punctured blow-up dolls as they resolve themselves to treason.
Perhaps because it represented his formation as a solo artist, his manifestation of “Lou Reed”, as opposed to “Lou Reed and the Velvet Underground”, Reed owned the '70s more than any other decade.