Who Put the Pop in Gen Z’s Pop Punk?
Although beloved by millions, Gen Z’s pop punk may also be punk’s most hated form, yet its roots are deep in “pure punk” soil.
Although beloved by millions, Gen Z’s pop punk may also be punk’s most hated form, yet its roots are deep in “pure punk” soil.
Stimulated by, then stimulating, certain writings, punk has been a change agent of literature, injecting energy and disruption into multiple genres.
Simultaneously inside and outside by either choice or circumstance, punk has always had paradoxical – sometimes hostile – relations with TV, radio, and the internet.
Punk’s “question everything” attitude has always been suited to education, despite the forces that seek to contain its rabble-rousing trouble-making from the classroom.
London School of Ballet prodigy Michael Clark saw beauty in the moves he witnessed when attending punk gigs as a kid in the late 1970s.
Craftivism’s core values of autonomy, subversion, political consciousness, and subcultural community make it yet another example of punk’s enduring influence.
When punk rockers and sports jocks meet their clash creates a fusion that causes a different kind of explosion.
Haute couture designers tap into the socio-political commentary of punk’s confrontational attire to reflect upon societal decay–and to satirize high fashion.
When the rebel subcultures punk and rap crossed paths in ’70s NYC, a hybrid was born that endures and reconfigures to this day.
When coupled with punk in the late 1970s to create folk punk, folk music’s most enduring and endearing traits—DIY, inclusivity, and proud amateurism—shined bright.
Cowpunk is a reaction against conventional country music, yet embodies some of its distant and deepest traits. Likewise, it's also a reaction against punk, yet manifests as one of its purest expressions.
Many punk hybrids have come and gone since their heydays, but the punk-rockabilly one, psychobilly, has endured and is still thriving around the world today.