Between the Grooves examines lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost all these years later.
The slow motion success story of a '90s college band from Urbana, Illinois, takes another unlikely turn with American Football (LP3).
Borderless Australian band Tangents combines their mesmerizing New Bodies track "Lake George" with warping aerial footage of its namesake location.
Swervedriver's sixth album Future Ruins, their second since reuniting, faces dystopia with sustained momentum.
Shoegaze band Bethany Curve's first album in 15 years breathes deeply and dreams through the darkness.
Deerhunter's eighth studio album wrestles with escapist and confrontational impulses, and continues their exploration of shifting sonic identity.
New Brunswick trio Motherhood approach their art rock with a mischief-spiked sensibility on "Bird Chirp".
Philly post-no-wave jammers Writhing Squares play with raw power on their new single, "Dirt in My Mind's Eye".
Significant shoegaze storylines came around full circle last year, and in 2018 the plot thickened. Meanwhile, the chilling effects of dream pop continue to reverberate across other musical spheres.
Dutch multi-instrumentalist Jacco Gardner's wispy, pastoral psychedelia takes on a nocturnal edge on new album, Somnium.
The Durutti Column's hesitant and beguiling foray into the realm of modern classical gets the thorough revisit that it deserves.
The indie punk sucker punch kicks off the DIY duo Washer's new split 7" with Brooklyn compatriots Bethlehem Steel.
