All Play and ‘No Paperwork’: An Interview with L.A.Z of Clear Soul Forces
"Natural born liberal consumer of music", Jarrel Lowman (aka L.A.Z), talks about his EP, No Paperwork, a mixture of hip-hop, smoking jazz, and calloused-fingered blues.
"Natural born liberal consumer of music", Jarrel Lowman (aka L.A.Z), talks about his EP, No Paperwork, a mixture of hip-hop, smoking jazz, and calloused-fingered blues.
A host of artists have carved out a niche in the interplanetary margins that now rest in hip-hop culture. Some call it an expansion on Afrofuturist philosophies; others simply a long-time propensity for the science-fiction genre.
Nixxon's latest album Black Velvet continues in the tradition of heavy, booming trap beats and smoky atmospherics. Hear new single "Bizerk" now.
From murky '70s soul and Afro-Brazilian jazz to the rhythms of Africa, Australian rapper N'fa Jones explores all reaches of sound to expand his eclectic hip-hop.
In ‘Mirror, Shoulder, Signal’, Danish author Dorthe Nors captures the thought patterns of humans in the throes of anxiety and self-pity.
Washington's album Son of Pain is a lost treasure of R&B; an album rich in bluesy Southern drawls, honeyed harmonies and street-smart rhythms.
Libretto talks about his ghetto blasting fusion of grinding funk, heavily strolling beats, and club-noir rhymes delivered with cool clarity in this interview with PopMatters
Black Milk draws a parallel between funky hip-hop swing and the daily exploits of inner city living on Fever.
Zion I lyricist Zumbi offers PopMatters an overview of his body of work and discusses what he brings to hip-hop as a creative individual.
Azeem returns to his roots of poetry to deliver Vision Teller, a collection of spoken word pieces that hum with the silk-spun lyricism of a speakeasy street poet.
Walerian Borowczyk’s Immoral Tales is either a curious failure or a problematic success, depending on where one draws the line between art and exploitation.