J.M. Suarez

A Heartbreaking Narrative Turn Sets Up the Final Episodes of ‘Halt and Catch Fire’

A Heartbreaking Narrative Turn Sets Up the Final Episodes of ‘Halt and Catch Fire’

Gordon's death offers character moments certain to resonate through the rest of the series.
‘The Good Place’ Builds on Last Season’s Twist, Emphasizing the Need to Connect

‘The Good Place’ Builds on Last Season’s Twist, Emphasizing the Need to Connect

The Good Place is as much a commentary on human relationships as it is a high concept comedy about the afterlife.
On Memory and Nostalgia: Seth’s ‘Palookaville 23’

On Memory and Nostalgia: Seth’s ‘Palookaville 23’

A wonderful addition to Seth’s already brilliant body of work, Palookaville 23 is a reminder of how much time he’s dedicated to his art, and how worthwhile that time has been.
‘Halt and Catch Fire’: Season 4 Deals With the Past While Moving Forward

‘Halt and Catch Fire’: Season 4 Deals With the Past While Moving Forward

For all the big events this show covers, Halt and Catch Fire never sacrifices nuance and thoughtfulness for twists or attempts to outdo itself.
Junkies, Wannabe Artists, Criminals and Other Temporary Friends in ‘The Customer is Always Wrong’

Junkies, Wannabe Artists, Criminals and Other Temporary Friends in ‘The Customer is Always Wrong’

Throughout all of Pond's graphic memoir/confessional, her funny, biting, and overall authentic voice is brought to life with her expressive ink and watercolor panels.
It’s No Joke: Why We Need ‘Take My Wife’

It’s No Joke: Why We Need ‘Take My Wife’

As Seeso shuts down, this excellent series is in need of a new home.
‘Orphan Black’ Closes With a Reaffirmation of the Power of Sisterhood

‘Orphan Black’ Closes With a Reaffirmation of the Power of Sisterhood

The way Orphan Black always put women at the center of its story, never shortchanging their complexity for likability or easy solutions, is what will be most remembered and missed.
‘Orphan Black’: Helena’s Past and Present Are the Fulcrum of “One Fettered Slave”

‘Orphan Black’: Helena’s Past and Present Are the Fulcrum of “One Fettered Slave”

Absent for much of the season, Helena (Tatiana Maslany) is front and center in "One Fettered Slave".
‘Orphan Black’: The Importance of Family and Sacrifice Are the Heart of “Guillotines Decide”

‘Orphan Black’: The Importance of Family and Sacrifice Are the Heart of “Guillotines Decide”

Art and death go hand in hand in one of Orphan Black's final episodes.
‘Orphan Black’: Rachel Makes a Brutal Choice in “Gag or Throttle”

‘Orphan Black’: Rachel Makes a Brutal Choice in “Gag or Throttle”

"Gag or Throttle" exemplifies how well the series combines plot, character payoff, and great pacing with the consistently outstanding acting of Maslany and company.
‘Orphan Black’: Krystal Is the Amusing Delight of a Serious Story

‘Orphan Black’: Krystal Is the Amusing Delight of a Serious Story

The islanders rebel, Cosima escapes, and everything is coming to a head in "Manacled Slim Wrists".
‘Orphan Black’: “Ease for Idle Millionaires” Allows Maslany’s Portrayal of Cosima to Shine

‘Orphan Black’: “Ease for Idle Millionaires” Allows Maslany’s Portrayal of Cosima to Shine

"Ease for the Idle Millionaires" pulls at the complex and interconnected plot threads, while giving Maslany endless opportunities to showcase her talent.