J.R. Kinnard

J.R. Kinnard is a film critic and aspiring screenwriter living in Seattle, Washington. He's also a chemist by trade who works in an environmental laboratory. You can find his film reviews at PopOptiq, Sound and Motion Magazine, and CutPrintFilm. His personal blog, Apropos of Nothing, features his thoughts on film and music. You can find him on Facebook at jrkinnard, and on Twitter @jrkinnard.
‘A Private War’ Brilliantly Recalls a True Hero, War Correspondent Marie Colvin

‘A Private War’ Brilliantly Recalls a True Hero, War Correspondent Marie Colvin

Documentarian Matthew Heineman's debut feature is an inspiring tribute to war correspondent Marie Colvin, who dedicated her life to documenting the human cost of war.

Melissa McCarthy Wonderfully Dominates the Unlikely Caper, ‘Can You Ever Forgive Me?’

Melissa McCarthy Wonderfully Dominates the Unlikely Caper, ‘Can You Ever Forgive Me?’

Director Marielle Heller offers this witty, observant insight into the psyche of a desperate writer, Lee Israel, who becomes a master forger.

‘Suspiria (2018)’ Ravishes with Beauty and Ugliness

‘Suspiria (2018)’ Ravishes with Beauty and Ugliness

Luca Guadagnino's re-make of the Argento classic is a pretentious arthouse mind-screw that demands to be seen.

‘Mid90s’ Is a Winning Story about the Losers

‘Mid90s’ Is a Winning Story about the Losers

Jonah Hill's directorial debut is a deceptively rich examination of the male psyche.

‘The Sisters Brothers’ Blazes a Brilliant — if Twisted — Trail

‘The Sisters Brothers’ Blazes a Brilliant — if Twisted — Trail

Jacques Audiard's revisionist Western shines thanks to moral quandaries and John C. Reilly's performance.

Formulaic ‘A Star Is Born’ Doesn’t Hit Many High Notes

Formulaic ‘A Star Is Born’ Doesn’t Hit Many High Notes

A Star Is Born traffics in the sort of superficial emotion that fades faster than the ringing in your ears after a concert.

Spike Lee’s ‘BlacKkKlansman’ Is a Provocative, Entertaining Mess

Spike Lee’s ‘BlacKkKlansman’ Is a Provocative, Entertaining Mess

The new Spike Lee Joint is irreverent and challenging, but it fails to rival contemporary social powerhouses like Sorry to Bother You and Blindspotting.

Is Tom Cruise’s Ethan Hunt Ready to Let It Go? ‘Mission: Impossible – Fallout’

Is Tom Cruise’s Ethan Hunt Ready to Let It Go? ‘Mission: Impossible – Fallout’

Hasn't Ethan Hunt saved the world enough to earn a lifetime of couch surfing?

Fantasia 2018: ‘The Man Who Killed Hitler and Then the Bigfoot’

Fantasia 2018: ‘The Man Who Killed Hitler and Then the Bigfoot’

We got our ticket to see a zany free-for-all of monster hunting and fascist assassinating. Set aside your expectations aside, however, for a pleasant surprise.

‘Sicario: Day of the Soldado’ Is a Lean, Mean, and Troublesome Thriller

‘Sicario: Day of the Soldado’ Is a Lean, Mean, and Troublesome Thriller

Stefano Sollima's hyper-violent thriller is a manly movie about hard men doing hard things.

Marvel Wisely Goes Small with ‘Ant-Man and Wasp’

Marvel Wisely Goes Small with ‘Ant-Man and Wasp’

Peyton Reed's campy follow-up to the epic Avengers: Infinity War serves as a welcome breather from saving the world.

‘Jurassic World: Fallen Kingdom’ Is the Best of the Franchise, at Least

‘Jurassic World: Fallen Kingdom’ Is the Best of the Franchise, at Least

J.A. Bayona delivers one of the best Hollywood directorial efforts of 2018 in this genre, reviving this flailing franchise with guilty pleasures and a genuine sense of dread.