Slow Pulp’s ‘Yard’ Is Full of 1990’s Style Alt-Rock
Chicago-based Slow Pulp offer more 1990s-inspired indie rock on their sophomore album. Have they taken a step forward and did they even need to?
Chicago-based Slow Pulp offer more 1990s-inspired indie rock on their sophomore album. Have they taken a step forward and did they even need to?
When it comes to the late Mark Hollis’ seminal work, Modern Nature’s No Fixed Point in Space crosses the line between inspired tribute and pale imitation.
Recent Rock and Roll Hall of Fame inductees the Spinners made some great Philly-style soul with producer Thom Bell but are still defined by a single song.
Strange Disciple finds Nation of Language’s devotion to their synthpop craft and the acts that inspired them admirably intact, even dogged.
Full of gems from the Happy Mondays, the Charlatans, the Stone Roses, and many lesser-known acts, this massive Madchester retrospective leaves surprisingly few holes.
Atmospheric British dream poppers Lanterns on the Lake gain accessibility without sacrificing their signature complexity on Versions of Us.
Beach Fossils’ Bunny is a pure, seamless combination of pristine production and newfound maturity with a post-punk-influenced, guitar-driven sound.
Norwegian synthpop trio a-ha’s not-quite-classic 1985 debut Hunting High and Low is once again reissued in expanded form, this time on vinyl.
In a male-dominated genre, dub maestro Adrian Sherwood pushes boundaries by showcasing ten women’s voices from around the world in Dub No Frontiers.
The more-is-more nature of Typical Music may be a mixed blessing, but Tim Burgess’ biggest gift is a generosity of spirit on this giddy, 22-song adventure.
One year after his passing, King Scratch fetes the reggae/dub shaman Lee “Scratch” Perry with a multiple-disc, multiple-format, career-spanning collection.
As this vinyl reissue of Roxy Music’s 2001 compilation makes clear, the only thing cooler than Roxy Mark II was Roxy Mark I.