
Various Artists: Musik Music Musique 2.0 – 1981
This 51-track compendium of 1981-vintage synthpop tries mighty hard but ultimately falls short. Licensing issues likely kept some of 1981’s best from this set.
This 51-track compendium of 1981-vintage synthpop tries mighty hard but ultimately falls short. Licensing issues likely kept some of 1981’s best from this set.
On his first solo album in a decade, former Fleetwood Mac maestro Lindsey Buckingham reasserts his considerable talents and charms.
The first album in four years from the British pop aesthetes sounds distinctly like Saint Etienne, which is ironic given some of the source material.
The Vaccines’ Back in Love City is their most convincing attempt yet at convincing the world they are a pop band that just happen to use guitars.
For the first time, all six hours of the trumpeter’s 1970 concert are released, leaving a hint of where Lee Morgan may have headed if he lived past 33.
With an all-star cast helping to perform his classics, Solid Gold U-Roy turns out to be an unexpected epitaph for the legendary Jamaican deejay.
After a five-year hiatus, Aussie indie-popper Nick Murphy reactivates the alias of Chet Faker that made him famous. The results on Hotel Surrender are chill.
On the first new Amusement Parks on Fire record in over a decade, Michael Feerick continues to push the boundaries of what a rock album can be.
On his second full-length album, bb u ok?, Dutch producer San Holo finds the natural affinity between emo and EDM.
After a five-year hiatus, Nick Thorburn reactivates his indie-pop outfit Islands with the highly listenable, ’80s-referencing Islomania.
Depeche Mode's primary songwriter and sonic architect Martin Gore gets primal on his new EP of instrumentals, The Third Chimpanzee.
The beauty of James Yorkston's The Wide, Wide River allows the coziness back in without making concessions to his continued development and desire to push beyond traditional folk music.