Rayland Baxter Explores New Ideas on ‘If I Were a Butterfly’
The sonic expansion in Rayland Baxter’s If I Were a Butterfly makes for exciting and curious listening, but it also leads to a record that feels scattered.
The sonic expansion in Rayland Baxter’s If I Were a Butterfly makes for exciting and curious listening, but it also leads to a record that feels scattered.
Okkervil River’s Will Sheff sounds like someone shrugging off burdens, his music built on steady patience and willingness for difficult but freeing reflection.
Yeah Yeah Yeahs’ ‘Cool It Down’ came largely out of the pandemic strain, but rather than lingering on life’s big pause, it ends it, always and fully in motion.
Lissie’s country-inflected Carving Canyons considers who she is, looking back to childhood but also realizing that she can help shape a positive future.
Jake Blount reworks traditional spirituals for a future setting on The New Faith and wonders what black music will sound like after climate change.
Stephen Graham Jones’ horror/sci-fi lays eggs in your head. With his latest project, the Earthdivers (Kill Columbus), his ideas for an alternative America crawl out.
With I Got a Love, gospel soul artist Elizabeth King gets to where she always could have been, a recording artist with consistency and originality.
By weaving in and out of broader and more intimate concerns, Rolling Blackouts Coastal Fever’s Endless Rooms possesses a wide scope that ties together.
Neko Case’s career retrospective Wild Creatures includes a new song, “Oh, Shadowless”, which adroitly blends the pretty with the abrasive.
Fans might be accustomed to Jon Porras working in the dark, but on Arroyo, he offers genuine light and rest throughout the trip.
Field Works always offers something new, and his latest, Stations, uses the sounds of the Earth itself. Seismic noises partner with voices and vibrant music.
Fans will likely be happy with Things Are Great, but this far into Band of Horses’ career, they should be taking on new musical challenges or exploration.