Cy Dune Turns His Beats Around for ‘Against Face’
Seth Olinsky has deliberately upended expectations for years, and his latest version of Cy Dune uses new directions (and waves) to continue old fun.
Seth Olinsky has deliberately upended expectations for years, and his latest version of Cy Dune uses new directions (and waves) to continue old fun.
Six decades into a renowned folk music career, Judy Collins shows that magic always surprises on her latest album Spellbound.
“Pinball King” was the biggest hit in country music 35 years ago. Or at least it could have been. Loney Hutchins cut a remarkable number of tracks that could have made him a star.
Dynamic jazz guitarist Matthew Stevens’ new album comes after a bad accident, but its history proves it to be more than just a lucky break.
Fans will likely love the warmth and charm of The Willie Nelson Family, but the album isn’t quite essential amid such a deep catalog.
Robert Plant and Alison Krauss’ Raise the Roof turns the spotlight on craft. It might not quite match its predecessor, but it maintains a high level of artistry.
Jon Randall might be a car record, but, if so, it’s not one for the sunshine and windows down, but one for long, dusty drives under the stars.
Natalie Hemby’s Pins and Needles arrives like a mid-career release from an artist fully confident of her direction. It has the force of time behind it.
Sundowner and A Night at the Little Los Angeles work together to satisfy multiple moods and develop a complete picture of Kevin Morby’s work.
Strand of Oaks’ In Heaven moves through trauma and sees a world where we can imagine something better, and we can even believe we can get there.
Roots band the Way Down Wanderers find a sort of rest in their self-development and in the connections they make on More Like Tomorrow.
Connie Smith and her colleagues might be historians, but they bring old Nashville impressively into the present with The Cry of the Heart.