Featured: Top of Home Page/Film/PopMatters Picks/Reviews ‘The Great Beauty’ Is a Magnificent, Sensory-Rich Visual Poem that Pulsates with Life By Kate Spatola / 24 April 2014 Rome has mastered a balletic balance in chaotic dichotomy, where ruin and exultation beg for a kind of seduction that only film can provide.
Featured: Top of Home Page/Film/Reviews ‘George Washington’ Is the Artful Debut of a Visionary Filmmaker By Kate Spatola / 27 March 2014 David Gordon Green favors the elliptical over the literal and is more concerned with establishing atmosphere. Words spoken are less important than words omitted.
Featured: Top of Home Page/Film/Reviews Prizing Honor and Rewarding Revenge: ‘The Man from Beijing’ By Kate Spatola / 24 October 2012
Featured: Top of Home Page/Film/Reviews/Television ‘Rake: Series 1’ Is Charmingly Raising the Bar of Legal Dramas By Kate Spatola / 15 October 2012
Featured: Top of Home Page/Film/Reviews Late Life Lushness: ‘The Best Exotic Marigold Hotel’ By Kate Spatola / 24 September 2012
Featured: Top of Home Page/Film/Reviews A Horror So Real It May Be Imagined: ‘The Monitor’ By Kate Spatola / 4 September 2012
Featured: Top of Home Page/Film/Reviews ‘Goon’: A Comedy that Punches Hard but Lands Soft By Kate Spatola / 18 June 2012
Featured: Top of Home Page/Film/Reviews ‘My Dog Tulip’ Defies the Cute Doggy Genre By Kate Spatola / 21 March 2012
Featured: Top of Home Page/Film/Reviews ‘Like Crazy’ Is a Well-Observed Snapshot of Romantic Love that Glows with Low-Key Beauty By Kate Spatola / 11 March 2012
Featured: Top of Home Page/Film/Reviews Where the Lines of Performance and Psychological Realism Blur: ‘Vanya on 42nd Street’ By Kate Spatola / 8 March 2012
Featured: Top of Home Page/Film/PopMatters Picks/Reviews ‘Harry Potter and the Deathly Hallows, Part 2’ Leaves Us Forever at Platform 9 ¾ By Kate Spatola / 21 November 2011
Featured: Top of Home Page/Film/Reviews ‘Crazy, Stupid, Love.’ Is Knowing Without Being Cloy or Condescending By Kate Spatola / 2 November 2011