Matthew Fay

War Is a Beast in ‘Monstress #1’

War Is a Beast in ‘Monstress #1’

Marjorie Liu's new comic deals with monsters in all their forms.
The Modest Man Returns in ‘Huck #1

The Modest Man Returns in ‘Huck #1

Mark Millar's new hero is as simple as he is super.

Looking to the Sky in Max Landis’ ‘Superman: American Alien’

A Master Storyteller Is Revealed in ‘A Manual for Cleaning Women’

A Master Storyteller Is Revealed in ‘A Manual for Cleaning Women’

Lucia Berlin paints portraits of environments and people with an attentive, sympathetic and often cinematic eye.
A New Light Shines on ‘Full Moon in Paris’

A New Light Shines on ‘Full Moon in Paris’

Eric Rohmer's classic film resonates again in High Definition Blu-Ray.
Powers Are All in the Family in “The Vision #1”

Powers Are All in the Family in “The Vision #1”

The Vision has settled down. But that hardly means things are settled.
Help Is Hell in ‘Clean Room’

Help Is Hell in ‘Clean Room’

Gail Simone brings the scares in her new Vertigo project.
Weakness Is Strength in ‘Karnak #1’

Weakness Is Strength in ‘Karnak #1’

Karnak sets out to save Inhumanity, one weak spot at a time.
Strangeness Hits Shore in ‘Twilight Children #1’

Strangeness Hits Shore in ‘Twilight Children #1’

Gilbert Hernandez continues his streak of magical realist tales.
How to Get Away with Murder: Season 2, Episode 4 – “Skanks Get Shanked”

How to Get Away with Murder: Season 2, Episode 4 – “Skanks Get Shanked”

Interpersonal strife abounds, both in and out of court, and Team Keating begins its slow decline.
The Necessary Audacity of ‘Bitch Planet’

The Necessary Audacity of ‘Bitch Planet’

Kelly Sue DeConnick doesn't go easy on the patriarchy.
The Girls Lead the Pack in ‘Paper Girls #1’

The Girls Lead the Pack in ‘Paper Girls #1’

Brian K. Vaughn gives us an '80s teen drama that's been a long time coming