The Descendents today sound a lot like the Descendents you've always known, but this album is hardly a self-conscious clinging to past success. Instead, it's the sound of four guys with a deep bond, making music on their own terms.
After the taut Into Sixes, the more fractured Midnight Run risks upsetting the formula the band has established, and yet that risk pays off at every turn.
Redshift is an impressive and lasting record because it manages something not all experimental music can pull off. It is both immediate and challenging, catchy and complex.
Venezuela thrived culturally and economically in the '70s, and this compilation reveals the fresh and exciting experimental rock scene at a time when rock music in that country was finding its own sound.
1983's Man From Higher Heights is an interesting chapter in the story of Count Ossie, but it succeeds in adding to that larger story more than it does as a stand-alone album.
Despite Chatham's history of working with hundreds of musicians for a single project, the complex and curious Pythagorean Dream is all about Chatham and his guitar.
On Paradise, the change is not just one of production and fidelity. It's also one of attitude and perspective, and when this album runs at full throttle, it heads down some lesser-traveled roads through rock music.