Matthew Fiander

Various Artists: Sharon Signs to Cherry Red

Various Artists: Sharon Signs to Cherry Red

This two-disc set comprises 45 songs that capture not a sound, but rather an attitude. These artists island hop across labels and genres and, in doing so, create vital songs worth unearthing now.
Terry Allen: Juarez

Terry Allen: Juarez

Forty-plus years later this little-known Terry Allen album deserves a larger audience, a new and much bigger set of listeners to puzzle over this eccentric classic.
‘Nitro Mountain’ Is Harrowing and Dark

‘Nitro Mountain’ Is Harrowing and Dark

This is an unabashedly fierce and often violent novel that owes as much to Graham Greene's Brighton Rock as it does to Daniel Woodrell's Winter's Bone.
‘We Love You, Charlie Freeman’ Ponders Over Watching and Being Watched

‘We Love You, Charlie Freeman’ Ponders Over Watching and Being Watched

This novel tries to find words for the ways in which being other means being constantly under observation.
Fruit Bats: Absolute Loser

Fruit Bats: Absolute Loser

The best stuff on the solid Absolute Loser makes for a welcome return of an underrated American band.
A Giant Dog: Pile

A Giant Dog: Pile

Pile, the new album from Austin's A Giant Dog, can remind us of other moments in rock music, but this is not revivalism. Instead, it reshapes those pasts into the band's own present.
Aesop Rock: The Impossible Kid

Aesop Rock: The Impossible Kid

On his excellent new album, Aesop Rock plays with autobiography as a construction. Rock tells some version of his story brilliantly here, and it doesn't matter what is and isn't fact; it all rings true anyway.
Woodpigeon: T R O U B L E

Woodpigeon: T R O U B L E

Woodpigeon's lush, melancholy new album adds new textures to the band's already heavily orchestrated pop.
North Carolina’s Phuzz Phest 2016 Is a Music Festival Done Right

North Carolina’s Phuzz Phest 2016 Is a Music Festival Done Right

Festivals can and should be transactions, but not of capital or codified cool. They should bring people into a space so they can see what it's about and let them add something to it. NC's Phuzz Phest does this well.
PJ Harvey: The Hope Six Demolition Project

PJ Harvey: The Hope Six Demolition Project

Harvey's ninth album buzzes with energy, but her stories, for the first time, often make her sound like a tourist unable to scratch the surface of the places she documents.
Carter Tanton: Jettison the Valley

Carter Tanton: Jettison the Valley

Carter Tanton usually tinkers with gauzy layers, but his new record rings clean with acoustic guitars and the laid-bare sweetness of his voice.
Jan St. Werner: Felder

Jan St. Werner: Felder

Felder, Jan St. Werner's latest solo record, is impressively expansive. But for all its challenging experimentation, the album is surprising comforting listen.