Coypu, featuring experimental journeyman Ben Chasny, delivers a debut LP that sounds almost narcotic, surrounding you at every turn in its sweet, heady layers.
This set shines like on Séga, the traditional music of the island of Mauritius, and leaves you feeling like you've got no choice but to dig in and learn more about this tradition.
Hearing African Head Charge's four LPs now they play like one long, unfolding record, a complex document meshing experiments with structure, old sounds with new, and weaving various traditions into one heady mix.
Guerilla Toss finds a focus in the center of shuffling beats and synths and shouts. The album is uneven, but it can tightens up the band's freak outs in a more focused way than ever before.
Get Disowned may share musical DNA with Painted Shut, but to see the former in the shadow of the latter is to miss an album with its own goals, personality, and raw-nerved epics.
Drumkit Quartets is all about composing for percussion, but Kotche and Sō Percussion see this not as a constraint but as a place to begin far-flung experiments.
These post-Press Color records from Descloux show her as a world traveler, recording each record in a different location and genre-hopping in her music at every turn.
Rangda is still playing on its established order-chaos dichotomy. But it brings those seemingly distant poles closer together than they've ever been on this record.