Taylor Swift’s ‘1989’ Subverts Being Trapped in a Glass Castle
For her 1989 album, Taylor Swift wrote breakup songs that cleverly conveyed to fans she had personal freedom even from within her glass castle.
For her 1989 album, Taylor Swift wrote breakup songs that cleverly conveyed to fans she had personal freedom even from within her glass castle.
Although it aims to portray humanity’s future, sci-fi film Interstellar‘s message – that our greatest asset and liability is ourselves – resonates in our times.
On Harlequin, a companion album to The Joker: Folie a Deux, Lady Gaga uses “vintage pop” to strengthen the mythology around her persona.
Sabrina Carpenter’s Short n’ Sweet displays her ability to imbue pristine pop production with personal flair, sparking a long overdue breakout.
On her third album, This Is How Tomorrow Moves, Beatrice Laus, also known as beabadoobee, blends folk and rock to create a timeless fantasy world.
Ice Spice’s Y2K! may have an obvious title, named for her birth year, but she wasn’t born yesterday. In 2024, stating a fact is the realest thing you can do.
By using a fleeting moment of attraction as its concept, Clairo’s ‘Charm’ surveys the damage love affairs, both long-lasting and short-lived, can inflict.
The strong hooks on The Secret of Us provide the missing third dimension to Gracie Abrams’ songs and create a winning formula that could sustain more albums.
Lana Del Rey’s Ultraviolence used rock to kickstart a new career direction that culminated in autobiographical work without spoiling the mystery of her persona.
Alec Benjamin writes anthologies, and his fourth album, 12 Notes, is no different. This style of writing suits Benjamin’s propensity for parables.
The incongruity of looks on the red carpet at this year’s Met Gala created a diverse showing of cartoonish creativity, the hallmark of fashion’s biggest night.
On Voulez Vous, ABBA went disco and created a turbo-charged version of their music. The raucous choruses of Voulez Vouz preview a decade of pop.