MoMA’s Film Restoration Fest To Serve and Project Eyes Bad Behavior
MoMA’s film restoration fest To Serve and Project eyes bad behavior with a Casanova, Western gunmen, pre-Code showgirls and drug addiction.
MoMA’s film restoration fest To Serve and Project eyes bad behavior with a Casanova, Western gunmen, pre-Code showgirls and drug addiction.
From silent classics to Thai melodrama, home movies to Brazilian sambas, MoMA’s To Save and Project festival is catnip for international film buffs.
Revenge of the Zombies stands at the axis of Nazis, race relations and feminism in a mishmash of wartime themes under an immigrant director.
Sessue Hayakawa was the first Asian male star in Hollywood, became a “foreign” silent film sex symbol, and ran his own company while the “natives” remained uptight.
The Creature and A Dog Called Vengeance use German shepherds in allegories of fascist politics, revolution, violence and love.
Fantastic colors, costumes, and effects ripple through Masahiro Shinoda’s New Wave-era Demon Pond, which is drenched in Kabuki romantic fantasy.
From 1930 to 1980, these five horror movies offer masked maniacs, mad scientists, murder mysteries, mummies, and military cannibals for your Halloween freak-out.
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.
The Barcelona School made avant-garde films nobody could understand, such as the pop art 1960s mash-up, Fata Morgana. But it sure looks good.
Arch Oboler’s Bwana Devil kicked off the 1950s 3D movies craze with a man-eating lion story, and 70s years later it’s trying to get its claws into audiences.
Francis Ford was an important silent film actor and director, and not just for being John Ford’s brother. Star Lillian Gish had the clout to get what she wanted.